Another question would be - AF or MF?
With my eyesight AF is the only way to go. Also the MF on the D7100 or any of the new Nikons is not as easy. I really miss the old style split focus screen of the 35mm film days.
With my eyesight AF is the only way to go. Also the MF on the D7100 or any of the new Nikons is not as easy. I really miss the old style split focus screen of the 35mm film days.
I have been leaning toward the 35mm so this just seals the deal. Now to go muy one. This one is very reasonably priced at $200 for new AF-S DX NIKKOR 35mm f/1.8G. Anyone have this one and how is the quality?
Since you seem to be leaning towards the 35mm (good choice IMHO), do you think you might move to FX at some point? If so, it will cost a bit more but you might want to consider the AF-S NIKKOR 35mm f/1.8G ED. Excellent FX lens. I briefly had the AF Nikkor 35mm f/2D about 5-6 years ago but didn't like it - not sharp enough.
If you decide you want to add a 50mm later on, you might want to consider the AF Nikkor 50mm f/1.8D. Used versions can be found for around US$100 and it is an absolute steal. I took the pano of Prague Castle which is the header on my website with it.
I really doubt I will ever move up to FX. I am very happy with my DX
I keep saying that to myself as well, but then why am I always looking at D610's for sale?![]()
The one thing I have thought about shooting is children but then only on a very limited basis.
The 35mm. The widest FoV can always deliver the same shot as a narrower but not the other way around. The 35mm can take 50mm shots by stepping in or cutting in post.
While this is true as it pertains to FOV, overall, a wider FOV lens can never deliver the same shot overall as a narrower FOV lens, no matter what body it's attached to. First, the 35mm can never give the same perspective compression as a 50, and that aspect of a lens is constant whether using DX or FX. It also can never deliver depth of field as shallow as the 50, provided you're comparing lenses of the same max aperture. As stated earlier, this question depends entirely on your photographic interests/preferences. If you're more into tight landscapes, a 35 might be the better choice for the reasons mentioned. However, if portraits are on the menu, the 35mm isn't as flattering to your subject as a 50, nor can it deliver the same DOF. If you want objects in the frame to have closer to the same proportional perspective as human vision, the 50mm will come closer to delivering it. It's not just a FOV issue.
...but even with all the effort in the world, you can't make your 50mm take a 35mm shot.