My friends are still my friends so that is a good sign. Actually they are very happy with themBut the purse suits youGreat shots mate, hope your friends are really happy with them.
Excellent, job well done then.
Cheers, I learnt alot from this shoot and was happy with most photos but a few I totally F upped on like staggering the bridesmaids and groomsmen and taking a photo at F2.8 so that the centre couple are in focus but the rest aren't. And then topping it off, not realising that Auto ISO does not help when shooting with a SB-910. Lesson learnt and one of the reasons why I did it for free.Yes Scott job well done.
Good effort Scott - weddings can be nerve racking things... I actually get off on that thrill! It takes a strange breed of person to do so I am sure.
Keep practicing. I always try to use natural light where possible. Pose the bride / groom in positions where you can work this to your advantage. Don't be scared by jumping out of the box. The other little thing I have done in the past when starting was use some of the great wedding photographers works as inspiration. Memorise a few poses - you will never replicate it exactly, but you can use their idea / concepts to pose and get a great image. I found this invaluable when I started as it got rid of those moments where you seem to be struggling for idea's...
I also ALWAYS use rear flash at reception. It just works for me, and I find it helps stop wiping out all the colours of the room. General settings for receptions are shutter speed 40, F4, Flash on 1/4 power rear sync, ISO 400. I start there and tweak settings as I need.
I disagree, I love the look - I don't do it because I have to, I do it because that is the look I, and more importantly my clients like. There is no chance involved. I rarely get a blurred image this way and I always get the residual ambient light rather than depending on extra off camera flashes.
Learned this technique from amazing photographers who photograph the nightclub scene... I can get more natural ambient light this way and that is what I prefer.
Not sure why I would want to place flashes everywhere when I can get the ambient light naturally with just a single speed light bounced of a ceiling or wall...
Anyhow, I think we have hijacked this gentlemans post enough.
Thanks Kev, I did a lot of research leading up to the wedding. I will be doing another but am not sure I would want to try and make a living out of it.Good effort Scott - weddings can be nerve racking things... I actually get off on that thrill! It takes a strange breed of person to do so I am sure.
Keep practicing. I always try to use natural light where possible. Pose the bride / groom in positions where you can work this to your advantage. Don't be scared by jumping out of the box. The other little thing I have done in the past when starting was use some of the great wedding photographers works as inspiration. Memorise a few poses - you will never replicate it exactly, but you can use their idea / concepts to pose and get a great image. I found this invaluable when I started as it got rid of those moments where you seem to be struggling for idea's...
I also ALWAYS use rear flash at reception. It just works for me, and I find it helps stop wiping out all the colours of the room. General settings for receptions are shutter speed 40, F4, Flash on 1/4 power rear sync, ISO 400. I start there and tweak settings as I need.
Great photo's rocketman, but every single one of your spot lights are frozen. Now if they were fixed at the wedding, awesome, but if like 99.9999% of the weddings that I go to, these lights aren't stationary, making the scene a moving, alive, energy full reception, the only way to try and capture that is with a longer exposure... which you can only acheive by lowering your ISO and lowering your shutter speed.
I also disagree that I am not driving it like a ferrari if I don't push the ISO up.... sorry, but that to me is a ludicrous statement. So rather than using sound skills and techniques, I should just max the ISO? I think more along the lines of I have a wonderfully built tool and it is up to me, the photographer to decide how best to use that tool. If I can achieve, what I, and my clients consider to be wonderful, clean images in low light without pushing my ISO up or without introducing new light sources to make my job easier - I ask which is the ferrari driver and which is the automatic prius driver?
Whilst I think we will have to agree to disagree on who is right, wrong or indifferent, you will have to agree, 1/40 isn't too slow and you are able to get sharp, clean images.
Whilst you can achieve the look you are going for, I can also achieve the look I am going for.
Thanks Kev, I did a lot of research leading up to the wedding. I will be doing another but am not sure I would want to try and make a living out of it.
I just realised you guys are slack, NO ONE noticed that I had a camera upside down... Naughty naughty lol.And just when I thought I had gotten away 'Scott' free. Here is a pic of me enjoying a well earned beer
Disclaimer not my photo and not my purse, but its my beer in front of me
View attachment 77144
I may need a second shooter for a garden wedding coming upNo worries Scott - if you get another request but don't want to do it, let me know, I would love to fly up from Perth to the Territory!! Ha....
I may need a second shooter for a garden wedding coming up![]()