Looking for my first prime, not sure which

kamaccord

Senior Member
I want to get a prime lenses. But I'm not sure which to get. I want something that can do portrait, urban shooting (buildings and such), museums, and some landscape. I'm thinking the 85mm Nikon might do the trick. Thoughts?

I know you mentioned prime lens but have tested the Sigma 18-35mm f1.8 or their 50mm f1.4?
 

Marcel

Happily retired
Staff member
Super Mod
LOL!!! A bit confused. But I think I have a direction I want to go now.

Don't worry too much. Just get the one you can afford for now. There will be other lenses that you will buy later. You should limit your question to: "Which prime lens can I afford NOW".

No prime lens will be good for everything, that's why zooms were made for, with the quality and aperture drawbacks.
 

§am

Senior Member
I second Marcel, start with a zoom (which you already have), add a prime (35 or 50 will do you good for the price) and take it from there.

I went with the 50mm f/1.8G because I could zoom in and out with my feet, and it sat nicely between the 35mm & 85mm.

Eyes on the 18-35mm f/1.8 Sigma now, but just can't justify the cost for how much I might use it :(
The 28mm f/1.8G is second on the list though and it's closer to my NAS savings :p
 

weebee

Senior Member
I'll ask this - why do you feel the need to get a prime? Do you shoot in low-light a lot? Do you really like heavy bokeh? Like to run micro-laps around to find that perfect spot?

I shot almost exclusively with primes for over a year and after going back to zooms, I hardly look back unless I need to shoot something very specific. Macro, you kinda need a macro prime. Extreme low-light, you kinda need that 1.8 or 1.4 over 2.8 and up. In most daily situations though, zooms will do the job easier. When its sunny out, you'll be shooting at 1/2-600 shutter and at least f/7.1-8, so having that 1.8 or 1.4 prime becomes trivial as even good kit zooms will be plenty sharp at those apertures as well and focus plenty fast.

If you want to shoot a full-course dinner of things, your 18-140 should be your workhorse lens until you can afford a 17-50 2.8 or something similar.

All that said, I'd get a 35/1.8G DX prime just to get a feel for a prime, but don't dwell too much on it unless it really speaks to you.

The shot you want to get never waits for you to get it, so the quicker and more convenient your tools, the greater your chances to succeed.


I like bokeh, and the ability to shoot in low light. Plus, everyone says the clarity and sharpness is very nice on these lenses. The 50 and 35 will be for urban settings. I rarely do portrait. But I do like landscape. I doubt I'd have it mounted while out walking in the country until I had a specific shot in mind. I'm rapidly gaining respect for the 18-140 and I'm looking for filters for it. I'll find out what I think about the 50 tonight. A package came and that should be it.
 
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weebee

Senior Member
I got my 50 tonight. First impressions are good. I'll be taking more pictures this weekend with it. These are some quick shots. These have not be adjusted.

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SkvLTD

Senior Member
Better question is how bad chromatic aberration is on the G. I know when I got my 35 DX was the first time I've seen/learned what CA even was after using my 50/2.
 

Horoscope Fish

Senior Member
Better question is how bad chromatic aberration is on the G. I know when I got my 35 DX was the first time I've seen/learned what CA even was after using my 50/2.
Indeed... Between the two, the 35mm *will* show more CA.

It's an easy thing to correct in ACR or Photoshop, and probably Lightroom as well, but I agree with you here, the 50mm definitely has less CA than the 35mm.

.....
 

weebee

Senior Member
Normally it won't show up on a web sized image unless it's really really bad. Open up your Raw file in a Raw editor and look at it at a 100% crop.

I did that already. And didn't see any. I thought I might have missed something is all! I hope I won't see any with the 35G I have on the way either.
 

Horoscope Fish

Senior Member
I didn't see any CA in the pictures I posted. You seeing any?
CA occurs when different colors in the spectrum can't focus at a common point and so it doesn't show up in every shot; it rears its ugly head on boundaries that separate dark and bright parts of the image. Your images in this thread don't have sufficient points of contrast to manifest noticeable CA.

....
 

kamaccord

Senior Member
The Sigma 17-50mm f2.8 also has great bokeh in addition to being very sharp and can be purchased new on Ebay in the $350 price range.

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