Search results

Raspberry tart with pistachio crumbs. Yummy as Hell! :love: Composite shot made up of 10 focus-stacked exposures, set automatically using the built-in function on the Z7. Stack processed with Helicon Focus. Micro-Nikkor 105mm ƒ/2.8 macro lens, FTZ adapter. Gitzo tripod, Arca-Swiss Cube C1...

A super-macro shot of a burlap fabric (the one I used for background in the World War I photo I uploaded to the Tabletop section a few days ago), using the Novoflex BALPRO T/S bellows and two stacked extension tubes with a 50 mm lens. The reproduction ratio I estimate at 12:1. I thought I would...

Salt and pepper shakers by French maker Christofle. Nikon Z7, Nikkor Z 35mm, ƒ/1.8 S lens. Gitzo tripod, Arca-Swiss Cube C1 geared head. Artificial lighting. Single exposure.

Paris in early Spring. A street in Montmartre. Nikon D850, Nikkor 35mm, ƒ/1.4 G lens, handheld.

As your horse takes you over a fence, you don’t look at it. You look at the next one and anticipate/calculate the trajectory that will get you to it in the best possible manner. And so, this Spanish rider is doing exactly what she should be doing! Both photos: Nikon D3S, Nikkor 200-400mm, ƒ/4 G...

My first camera was an Instamatic 104: http://camera-wiki.org/wiki/Kodak_Instamatic_104 Welcome ! I myself joined only a short while ago, this is a friendly place. :giggle:

A Tuscany landscape (2012). Nikon D3S, Nikkor 70-200mm, ƒ/2.8 G VR II lens, handheld.

Thanks a lot, I will watch that video. I’m sure I still have tons to learn about Helicon and focus stacking.

I had to do some serious market research and hands-on testing when I convinced myself that focus-stacking was a must for what I was trying to achieve. The fact that the D850 (which was the camera I used at the time) had a built-in stacking function, carried the decision. Since then, I learned to...

Ruined church and hillside cemetery on the Isle of Skye, Scotland (2019). Nikon Z7, Nikkor Z 24-70mm, ƒ/4 S lens, handheld.

Another bee on lavender... The background is way too cluttered for it to be any good, but I upload it because of its technical interest: it was taken with a 135mm general photography lens on an extension tube. The ratio may not be quite 1:1 but it is close enough to show there is no need to...

OK, this one is of absolutely no interest, technical, artistic or otherwise. But I love that T-shirt so much that I wanted to include it in my tabletop selection. There! Nikon Z7, Nikkor Z 24-70mm, ƒ/4 S lens. Improvised food photography during lunch at Fond Rose, a Paul Bocuse restaurant...

Therefore, I will stick to the black-and-white version for this other photo of the same early Christian church in Sardinia... :) Nikon Z7, Nikkor Z 24-70mm, ƒ/4 S lens, handheld.

Nikon D3S, Nikkor 70-200mm, ƒ/2.8 G VR II lens, handheld. “Stay focused and don’t look down, boy!” Nikon D3, Nikkor 200-400mm, ƒ/4 G VR II lens, handheld.

One of the fountains on Saint Peter’s Square in Rome. According to the inscription, this one was restored by Pope Paul VI during the 4th year of his pontificate, i.e., in 1966. Nikon D3S, Nikkor 85mm, ƒ/1.4 G lens. Handheld.

Your little frog is so cute! I will not further comment. :mad:

Indeed... Some of them I think don't even turn up in the search engine any more... Luckily, we have Marilynne!

Let us indeed try and revive, if not the dead, at least this dead thread... I’m gonna pull out my cemeteries... Old cemetery of Charonne in Paris: Death by the ocean in the coastal village of Jardim do Mar (“Garden by the Sea”), on the Portuguese island of Madeira. If eternal the sleep must...

I should have known...! :rolleyes: Thanks ! :ROFLMAO:

I did have a “cemetery photos” period, too. I was lucky enough to find some tombs that were quite moving and atmospheric... Loyasse cemetery in Lyon (2016), Nikon D810, Voigtländer Nokton 50mm, ƒ/1.4 lens, manual focus. Handheld, natural light.