I tried 2 different, quick tweaks to the photo. If you choose to edit in a similar fashion to one of these methods, you might choose slightly different levels of adjustment. These are just to show you 2 different results. Each edit took literally a few seconds.
In this first, I adjusted the overall brightness of the photo to 100 in PSE 10. IMHO, it comes across more the way flash would with some slightly noticeable flash falloff in the background and is more indicative of a photo shot with flash.
View attachment 52384
Maybe you could save this shot with a little more post processing, but I think your flash wasn't powerful enough for the working distance. The shot seems to miss exposure. And you're right about keeping a certain aperture to get the DOF but the only way to have it it to use a more powerful flash when working from a certain distance. Remember that light fall off very fast as soon as the distance gets bigger. I used to know the formula but I think it's Light= flash power/distance x distance.
I would have considered shooting this at you're widest aperture setting being its a poor lit room. It would have also gave more attention to the main subjects.
If the ceilings were white then I would have choose to bounce the flash.
I tried 2 different, quick tweaks to the photo. If you choose to edit in a similar fashion to one of these methods, you might choose slightly different levels of adjustment. These are just to show you 2 different results. Each edit took literally a few seconds, but my intent was to try and closely match the skin tones of the bride and groom in both photos. Personally I prefer the first.
In this first, I adjusted the overall brightness of the photo to 100 in PSE 10. IMHO, it comes across more the way flash would with some slightly noticeable flash falloff in the background and is more indicative of a photo shot with flash.
View attachment 52384
And in this one, instead of adjusting the brightness, I chose to lightenen the shadows by 24% in PSE 10. The increase affects the overall photo and doesn't show nearly the amount of light falloff as the above photo.
View attachment 52386
Tried the edit from start again, with all your help in mind:
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Colors still hurt my eyes though, and personally I would prefer b/w, but I dont know if they are that kind of people. And somehow I think ceremony needs to be in colors.
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Tried the edit from start again, with all your help in mind:
Colors still hurt my eyes though, and personally I would prefer b/w, but I dont know if they are that kind of people. And somehow I think ceremony needs to be in colors.
Since you cropped the original image, this doesn't look nearly as colorful as the original (referencing your comment about not liking the colors). If you were going to do this image in black and white, my preference would be to see it slightly lighter in tone overall.
I think you've gotten the hang of it. Good luck with processing the rest of your images! Maybe you can share some of them with us when you are finished!![]()
Post processing is much better on this one. I just noticed that the thing that hurts me a little is their positions. When doing the first kiss picture during the ceremony I always placed myself so I could get both of them in profile (sometimes I had to go behind the celebrant). I find that his nose creates a weird combination with her profile.
Just an observation so you can look at other angles in your next wedding.
Great observation! Will defiantly try to sneak a better position for the kiss next time. But its very crowded, most guest are standing behind the celebrant (didn't know that was the name), like I was. Weird place, but I'll nail it someday![]()
Don't be shy about getting in front of guests. You are paid to do a job and you got to do what you've got to do. As long as you're polite and courteous, people will understand that you're just doing a good job.
Thats fixableBut I still think the image are weird.
I wonder if you think it's 'weird' because of the paintings in the background. Painted people and real people can be a bit messy or confusing perhaps. Highlighting the main subjects may be all it needs. Just my thoughts. Cheers, Brad![]()
Maybe you could save this shot with a little more post processing, but I think your flash wasn't powerful enough for the working distance. The shot seems to miss exposure. And you're right about keeping a certain aperture to get the DOF but the only way to have it it to use a more powerful flash when working from a certain distance. Remember that light fall off very fast as soon as the distance gets bigger. I used to know the formula but I think it's Light= flash power/distance x distance.
The intensity of illumination is proportional to the inverse square of the distance from the light source
http://www.portraitlighting.net/inversesquare_law.htm
Kids:
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