Focus Stacking

Well since no one asked about this photo and how it was done I though I would give a little more info on it.

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If you notice it has a lot more depth of field than you can get with one shot. It is actually many shots blended into this one. Here are the shots that make up this photo.

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If you look carefully you will see that the focus point is different on each one of the shot. Tomorrow I will list the step in Photoshop on how to do this if anyone is interested.
 

Chris3000

Senior Member
I figured it had to be focus stacking but have never tried it myself as i just got myself a copy of PS a few days ago. Had no idea you needed that many shots either! Exited to see your steps on how to do this :)
 
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Jonathan

Senior Member
OH COOL!

the different exposures was accidental or the camera freaking out?

You can get software that, with your camera plugged into ("tethered to") your camera, will change the focus a specified number of steps (and vary other things like ISO) automatically. It will deliver the photos to you and then you use the software to blend them together as Don has done. I've tried it a few times and am still learning but it's cool! That's how people get those really crisp insect shots or colourful space scenes.
 

Jonathan

Senior Member
When I get to my Mac I'll upload some seed photos and the finished blend. From memory, one set took 19 individuals shots to make the final cut but, like I said, I'm new to this.
 

BackdoorArts

Senior Member
Focus stacking, particularly when you get into it with macro photography, can drive you nuts. You can be so absolutely careful and then there's that one slice that you miss that screws up the shot. Automated software, as Jonathan mentioned, can really help solve that. But you have to be careful what camera you use, because 15 full-res images from my D800 made my Mac scream for mercy.

I certainly have some uses for it, but thankfully not too many. An important technique to know. A similar technique that I am rather interested in getting down first, is the Brenizer Panorama, which stitches together multiple images shot at wide open aperture to create the look of a razor thin DoF (see examples here). Thankfully Photoshop does a great job in the heavy-lifting area of these exercises.
 

BackdoorArts

Senior Member
Yeah, I have a set of rails and they are definitely more consistent than tweaking the focus ring. Still need to make sure you know your DoF at the aperture and distance and then be certain not to move so far that you don't overlap and lose a slice. The StackShot seems to be a great solution, and one that I'd probably prefer to the software-based controls, if I did enough of that stuff. A couple product photography gigs and it would pay for itself.
 

wornish

Senior Member
Nice job Don.
I have tried focus stacking a bit on macros. It can be hit and miss sometimes you think you have all the points in focus and then Photoshop decides not to pick the specific area you wanted.
I find that fewer shots actually works better than more. Interested to see if Dons technique is the same as I use.
Nikons Camera Control Pro software allows you to remotely select the focus point in Live View by simply clicking where you want it to focus on, makes life a lot easier.
 
I did use DigiCamControl. The automated control that did work with my D5100 did not work with my D7000 so I did use the live view on the computer to control focus and capture.
 

Jonathan

Senior Member
My first attempt I trashed. For my second attempt, I manually took these photos (camera on tripod, me turning focus ring a small bit at a time using LiveView to help):

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I treated it a bit like a rolling bombardment across a battlefield. Then, using the free trial of Zerene Stacker (Mac) I ended up with this:

2013-10-31-20.50.44 ZS PMax.jpg


The resultant file size is humungous so you have to save it as a jpg or similar and all the component layers get baked in.
 

480sparky

Senior Member
Focus stacks all:

Pie pan
WII142S.jpg~original


Zipper
WII125S.jpg~original


Key ring
WII121S.jpg~original


Cable release
WII117S.jpg~original


Toothbrush bristles
WII112SF.jpg~original


Phillips screw
WII107S.jpg~original


Hole in a button
WII106S.jpg~original


Cat's claw
WII102S.jpg~original


SOS pad
WII97S.jpg~original


End of a paperclip
WII95S.jpg~original


A partially burned kitchen match
WII94S.jpg~original


Walnut shell
WII86SF.jpg~original


Salt on a cracker
WII79P1.jpg~original


Bread
WII76S.jpg~original


Velcro
WII70P2.jpg~original


Meat tenderizer
WII57S.jpg~original


Hair scrubber
WII45S.jpg~original


Felt marker tip
WII10P2.jpg~original
 

Jonathan

Senior Member
My third try was using a trial of HeliconRemote and Helicon Focus (I wanted to tether my D7100 and have my computer control the focus points. I also this time remembered to set the in-app ISO to a better value). I took 103 photos comprising 3.4GB (which I am not posting)! This was the result (again, after the layers were baked in):

First Helicon try.jpg


You can see I'm getting a bit better. I then decided to buy a year's license of those two tools.
 
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Jonathan

Senior Member
My latest attempt required 59 files at 1.56GB and yielded this:

Cufflinks_tight.jpg


I need to do as wornish says and take fewer photos and see that works. Less may well be more, and I want to use this technique to great really crisp macros and need to use it to get colourful, deep astrophotographs. I seem to want to snap at the two extremes!
 
My first attempt I trashed. For my second attempt, I manually took these photos (camera on tripod, me turning focus ring a small bit at a time using LiveView to help):

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I treated it a bit like a rolling bombardment across a battlefield. Then, using the free trial of Zerene Stacker (Mac) I ended up with this:

View attachment 75237

The resultant file size is humungous so you have to save it as a jpg or similar and all the component layers get baked in.

Still have lots of areas not in focus. You will have to use a higher Aperture or shoot more photos.
 
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