Major leagues score!

STM

Senior Member
I have been looking for one of these literally for years. They are as rare as hen's teeth and are usually pretty expensive (>$100). This guy was practically giving this one away for $31 including shipping. It is pretty much immaculate. I almost feel like I stole it from him for that price. Anyone who has ever used the Hasselblad knows that it is not the most ergonomic of cameras. It was primarily designed to be a studio camera and not a so much of a "walking around" camera. Its boxy shape makes it hard to handle at times, most especially if you use the A16 back (6x4.5) which I use about 95% of the time. Most times you hold the camera with the left hand and focus, trip the shutter and crank the film winding crank with the right hand. Unlike with an SLR, these are three distinct movements and require you to move your hand into a different position to do all three. The beauty of this bracket is you still hold the camera with the left hand but you focus with the right, trip the shutter with your left (there is an internal linkage which pushes the shutter button in rather than a conventional cable release) and all you have left to do is turn the film advance crank with your right. That is down from three things you have to more your right hand into a new position to just one. And all of this can be done without taking your eye from the viewfinder. It also has an accessory shoe which has the customary rails but also a 1/4"x20 threaded socket. Although I no longer have any shoe mounted flashes, it would be easy to put one on and just run the sync cord to the socket on each lens.

I may have to burn some film to day!

 

STM

Senior Member
Very sweet find. I envy you.

Is it just the body or are getting a lens too?

What size film does it use?

All I got was the bracket. The lens is my 40mm f/4 Distagon which is the equivalent of a 24mm on FF. The Hassy has removable backs which can be changed mid roll because they have dark slides. I have 2 A16 and 1 A12 back. They take 120 roll film. The A16 backs are 6cm x 4.5cm and you get 16 exposures per roll of 120. The A12 back is 6cm x 6cm and you get 12 exposures per roll. 220 film is very hard to find and it has a larger capacity than 120 but requires an A24 back which are very hard to find in good shape. All of my 120 development reels are designed to hold 120 and not 220 film. Loading 220 on a stainless steel reel is a little dicey because the film is wide to begin with and flexes a lot more than 35mm but it is also coiled a lot tighter on the reel than 120. If you are not careful you can get film to stick to the film below it and you will not get development. I have gotten half way through a 220 roll only to realize something is not right and unwound it and started all over again, which is no small feat in pitch blackness!

This rig is not light, as you see it, it weighs about 6.5 pounds. There is A LOT of glass in that lens.
 
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