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Photography Q&A
Why A Shallow DOF For Studio Portraiture?
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<blockquote data-quote="singlerosa_RIP" data-source="post: 209469" data-attributes="member: 15556"><p>Also, the sweet spot for most lenses is stopped down a bit from wide open. So, if you have a 2.8 lens, your lens is at its best at f4-f5.6, Stopping down further to f8 or above helps when you're shooting groups or landscapes. A lens at 100mm, f4 at 10 ' has a DOF of 8". Plenty of room to get all of a face in focus. Shooting at 200mm and 2.8 at 20' gives you 6" DOF. So even wide open you can get almost all of the person in a portrait in focus. </p><p></p><p>Once my lighting is set up, I might vary the aperture to adjust my lighting, just as I might change SS to modify ambient light. Doesn't have as much to do with focus as it does with lighting.</p></blockquote><p></p>
[QUOTE="singlerosa_RIP, post: 209469, member: 15556"] Also, the sweet spot for most lenses is stopped down a bit from wide open. So, if you have a 2.8 lens, your lens is at its best at f4-f5.6, Stopping down further to f8 or above helps when you're shooting groups or landscapes. A lens at 100mm, f4 at 10 ' has a DOF of 8". Plenty of room to get all of a face in focus. Shooting at 200mm and 2.8 at 20' gives you 6" DOF. So even wide open you can get almost all of the person in a portrait in focus. Once my lighting is set up, I might vary the aperture to adjust my lighting, just as I might change SS to modify ambient light. Doesn't have as much to do with focus as it does with lighting. [/QUOTE]
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Why A Shallow DOF For Studio Portraiture?
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