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Who does Real Estate photography?
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<blockquote data-quote="STM" data-source="post: 753320" data-attributes="member: 12827"><p><span style="color: #333333">I have done a good bit of it. The lenses I use most for interior shots are my </span><a href="https://nikonites.com/products/wide-angle-6/nikkor-15mm-f35-162/" target="_blank">15mm f/3.5</a><span style="color: #333333">, 16mm f/2.8 Fisheye (rarely though some companies ask if you have one), </span><a href="https://nikonites.com/products/wide-angle-6/nikkor-18mm-f35-178/" target="_blank">18mm f/3.5</a><span style="color: #333333"> and </span><a href="https://nikonites.com/products/non-af-nikkor-lenses-13/nikkor-35mm-f14-71/" target="_blank">35mm f/1.4</a><span style="color: #333333"> AIS Nikkors. Although it is certainly not required, a PC (Perspective Control) wideangle is very helpful. My 28mm f/3.5 PC Nikkor has been a lifesaver in a couple of situations. You want straight, non-converging lines in your photos. A camera with 24MP or more is ideal and you should have a sturdy tripod. For exterior shots I often use <a href="https://nikonites.com/products/non-af-nikkor-lenses-13/nikkor-35mm-f14-71/" target="_blank">35mm f/1.4</a> and </span><a href="https://nikonites.com/products/non-af-nikkor-lenses-13/nikkor-50mm-f14-73/" target="_blank">50mm f/1.4</a><span style="color: #333333">. You will need several strobes and a way to trigger them all wirelessly. For the most part I use Godox 200 or 400 W/S studio strobes and a Godox wireless trigger but you could also use Speedlight's as long as you could trigger them wirelessly. Many Real Estate companies want HDR (I use Luminance HDR) and some 360º panorama software. I still have a bracket I got when I was working for CirclePix that is clickstopped in 16 places for use with a 28mm (FF) lens or 18mm (DX) lens. Most companies prefer (or even require) that you have FF cameras. There are also times when you may have to balance a mixture of strobe or daylight (~5000ºK) and incandescent (~3200-3400ºK) lighting so experience with compositing is helpful too. In those incidences I use my handy 35 year old Minolta color meter III to make sure I am setting the white balance perfectly in the camera.</span></p><p></p><p><span style="color: #333333">Some examples of what I have done can be found on my website:</span></p><p></p><p><a href="https://www.scottmurphyphotography.org/real-estate" target="_blank">Real Estate | scottmurphyphoto (scottmurphyphotography.org)</a></p></blockquote><p></p>
[QUOTE="STM, post: 753320, member: 12827"] [COLOR=#333333]I have done a good bit of it. The lenses I use most for interior shots are my [/COLOR][URL="https://nikonites.com/products/wide-angle-6/nikkor-15mm-f35-162/"]15mm f/3.5[/URL][COLOR=#333333], 16mm f/2.8 Fisheye (rarely though some companies ask if you have one), [/COLOR][URL="https://nikonites.com/products/wide-angle-6/nikkor-18mm-f35-178/"]18mm f/3.5[/URL][COLOR=#333333] and [/COLOR][URL="https://nikonites.com/products/non-af-nikkor-lenses-13/nikkor-35mm-f14-71/"]35mm f/1.4[/URL][COLOR=#333333] AIS Nikkors. Although it is certainly not required, a PC (Perspective Control) wideangle is very helpful. My 28mm f/3.5 PC Nikkor has been a lifesaver in a couple of situations. You want straight, non-converging lines in your photos. A camera with 24MP or more is ideal and you should have a sturdy tripod. For exterior shots I often use [URL="https://nikonites.com/products/non-af-nikkor-lenses-13/nikkor-35mm-f14-71/"]35mm f/1.4[/URL] and [/COLOR][URL="https://nikonites.com/products/non-af-nikkor-lenses-13/nikkor-50mm-f14-73/"]50mm f/1.4[/URL][COLOR=#333333]. You will need several strobes and a way to trigger them all wirelessly. For the most part I use Godox 200 or 400 W/S studio strobes and a Godox wireless trigger but you could also use Speedlight's as long as you could trigger them wirelessly. Many Real Estate companies want HDR (I use Luminance HDR) and some 360º panorama software. I still have a bracket I got when I was working for CirclePix that is clickstopped in 16 places for use with a 28mm (FF) lens or 18mm (DX) lens. Most companies prefer (or even require) that you have FF cameras. There are also times when you may have to balance a mixture of strobe or daylight (~5000ºK) and incandescent (~3200-3400ºK) lighting so experience with compositing is helpful too. In those incidences I use my handy 35 year old Minolta color meter III to make sure I am setting the white balance perfectly in the camera.[/COLOR] [COLOR=#333333]Some examples of what I have done can be found on my website:[/COLOR] [URL="https://www.scottmurphyphotography.org/real-estate"]Real Estate | scottmurphyphoto (scottmurphyphotography.org)[/URL] [/QUOTE]
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