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General Lenses
Those with knowledge of the most current 24-120
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<blockquote data-quote="Call_me_Tom" data-source="post: 694276" data-attributes="member: 46025"><p>You’ll be in the middle, the sweet spot of the 24-120/4 with a view of 36-180mm. </p><p></p><p>I’ve been trying my hardest to like the 24-120/4 and I force myself to use it but to me it vignettes badly wide open on FX and is soft overall. Those probably won’t be an issue on DX. </p><p></p><p>If I were you I’d look at the 16-80/2.8-4 which gets outstanding reviews. I’ve not owned this lens but I’ve owned the 16-85/3.5-4.5 and I liked it a lot. </p><p></p><p>The 16-80/2.8-4 will give you a FX view of 24-120/2.8-4.</p><p></p><p>Edit: I forgot to add that I also owned the original Japanese version of the 18-200. I liked that lens a lot despite its faults. My images had bad barrel distortion but they were sharp. You can’t correct for sharpness in post.</p></blockquote><p></p>
[QUOTE="Call_me_Tom, post: 694276, member: 46025"] You’ll be in the middle, the sweet spot of the 24-120/4 with a view of 36-180mm. I’ve been trying my hardest to like the 24-120/4 and I force myself to use it but to me it vignettes badly wide open on FX and is soft overall. Those probably won’t be an issue on DX. If I were you I’d look at the 16-80/2.8-4 which gets outstanding reviews. I’ve not owned this lens but I’ve owned the 16-85/3.5-4.5 and I liked it a lot. The 16-80/2.8-4 will give you a FX view of 24-120/2.8-4. Edit: I forgot to add that I also owned the original Japanese version of the 18-200. I liked that lens a lot despite its faults. My images had bad barrel distortion but they were sharp. You can’t correct for sharpness in post. [/QUOTE]
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Those with knowledge of the most current 24-120
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