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The 50mm conundrum
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<blockquote data-quote="Deuce808" data-source="post: 479908" data-attributes="member: 39784"><p>for some reason no ones signature is showing today...</p><p></p><p>as far as the autofocus issue, I could use the 50 on my 7000. The only concern about d lenses is the rotating focus ring, I have a tendency to keep my fingers on the ring. I fing that I often need a little tweak of the ring to fine tune the shot. That makes the g lenses great because there's no need to remember to flick a switch, also I'm concerned that in the heat of the moment I may hold onto the ring and try to autofocus or I may try to turn it with the bodies af engaged. On the flip side the hard stop at infinity is a help if I shoot a city scale at night and the d lenses can use 52mm filters. I've got a cpl, variable nd, +3 nd, red intensifier, starlight, plus a extra uv.</p></blockquote><p></p>
[QUOTE="Deuce808, post: 479908, member: 39784"] for some reason no ones signature is showing today... as far as the autofocus issue, I could use the 50 on my 7000. The only concern about d lenses is the rotating focus ring, I have a tendency to keep my fingers on the ring. I fing that I often need a little tweak of the ring to fine tune the shot. That makes the g lenses great because there's no need to remember to flick a switch, also I'm concerned that in the heat of the moment I may hold onto the ring and try to autofocus or I may try to turn it with the bodies af engaged. On the flip side the hard stop at infinity is a help if I shoot a city scale at night and the d lenses can use 52mm filters. I've got a cpl, variable nd, +3 nd, red intensifier, starlight, plus a extra uv. [/QUOTE]
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The 50mm conundrum
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