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Should I step across from FX to DX?
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<blockquote data-quote="Marcel" data-source="post: 562491" data-attributes="member: 3903"><p>I think we all at one point or another get caught with this "the more pixels the better" marketing from different manufacturers. Wether we want or not, it keeps bugging us with the ultimate hope to produce better pictures. Unfortunately, more pixels do not produce better pictures. As a matter of fact, it can produce more bad pictures since if the technique isn't flawless it's going to show big time. </p><p></p><p>I can only speak for myself, but I've used the D80, 90, 7000, 700, 600 and Df and when I look at some of my shots done with the 12 megapixels D90 and D700, I just love the feel I get from these sensors. When I sold my D90 to get the 7000, I thought my prints would be much better but found out otherwise. I had more blurred images than before. Same with the D600, my lenses showed more flaws than with the D700. So even I had twice the pixel count, I can't say my images were twice as good.</p><p></p><p>For someone who needs high frames per seconds and great low light performance, I think the D500 is just a dream camera. The only culprit for me would be the size and weight. I'm not certain I'd rather take a D500 on travel. The D750 or D7200 would be smaller, lighter and probably more fun for amateur usage and travel pictures.</p><p></p><p>If you're a pro and live from the work you use your gear with, then you don't have much of a choice. You've just got to invest in the best and keep up with the Jones. For amateurs, anything from a D90 to a D750 is usually good enough, unless one is feeling insecure and hope the newer gear will secure his/her feelings about himself.</p></blockquote><p></p>
[QUOTE="Marcel, post: 562491, member: 3903"] I think we all at one point or another get caught with this "the more pixels the better" marketing from different manufacturers. Wether we want or not, it keeps bugging us with the ultimate hope to produce better pictures. Unfortunately, more pixels do not produce better pictures. As a matter of fact, it can produce more bad pictures since if the technique isn't flawless it's going to show big time. I can only speak for myself, but I've used the D80, 90, 7000, 700, 600 and Df and when I look at some of my shots done with the 12 megapixels D90 and D700, I just love the feel I get from these sensors. When I sold my D90 to get the 7000, I thought my prints would be much better but found out otherwise. I had more blurred images than before. Same with the D600, my lenses showed more flaws than with the D700. So even I had twice the pixel count, I can't say my images were twice as good. For someone who needs high frames per seconds and great low light performance, I think the D500 is just a dream camera. The only culprit for me would be the size and weight. I'm not certain I'd rather take a D500 on travel. The D750 or D7200 would be smaller, lighter and probably more fun for amateur usage and travel pictures. If you're a pro and live from the work you use your gear with, then you don't have much of a choice. You've just got to invest in the best and keep up with the Jones. For amateurs, anything from a D90 to a D750 is usually good enough, unless one is feeling insecure and hope the newer gear will secure his/her feelings about himself. [/QUOTE]
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