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<blockquote data-quote="J-see" data-source="post: 422253" data-attributes="member: 31330">Once you save as a TiFF, the colors remain as you saved them. It's when loading the NEF every editor can have its own interpretation based upon the color space it works in. TiFF they should load with the color space embedded.I think standard RT uses ProphotoRGB, identical as LR, but I'm not sure what NX-D uses. It might use the color space you use in your cam which is either a or sRGB. I'd have to check to be sure.I'm not familiar enough with GIMP yet but if it is a bit like Photoshop, there should be options to correct perspective and distortion. The only problem is that if you start working too often at a JPEG version, each time you load and save it, you corrupt it more and more. Which is why I use TiFF until my final save. Sadly GIMP does not do 16bit TiFF.It's a good job on the correction. I frequently suffer that problem with short lenses and can't understand why NX-D lacks such a basic correction feature.</blockquote>

[QUOTE="J-see, post: 422253, member: 31330"] Once you save as a TiFF, the colors remain as you saved them. It's when loading the NEF every editor can have its own interpretation based upon the color space it works in. TiFF they should load with the color space embedded. I think standard RT uses ProphotoRGB, identical as LR, but I'm not sure what NX-D uses. It might use the color space you use in your cam which is either a or sRGB. I'd have to check to be sure. I'm not familiar enough with GIMP yet but if it is a bit like Photoshop, there should be options to correct perspective and distortion. The only problem is that if you start working too often at a JPEG version, each time you load and save it, you corrupt it more and more. Which is why I use TiFF until my final save. Sadly GIMP does not do 16bit TiFF. It's a good job on the correction. I frequently suffer that problem with short lenses and can't understand why NX-D lacks such a basic correction feature. [/QUOTE]

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