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<blockquote data-quote="Horoscope Fish" data-source="post: 682293" data-attributes="member: 13090">That's a pretty awesome looking mount but it's not something I would need personally. For $150 a single Godox SK400 would put out the same wattage (versus $600 for two AD200's). The downside is the SK400 runs off AC power instead of a battery and, of course, they're larger and bulkier. I'd use strobes myself but running electrical cords in a dance studio is not something I like having to do. Still, if I was shooting outdoors, needed to put 400 watts on a relatively small area and AC power was out the question, that mount would be a handy thing indeed.The reason I'm getting a second AD200 is because I want to better illuminate large, open-floor dance studios. My primary location has a 15' ceiling (fortunately it's white) which I bounce off of routinely. One AD200 does a pretty good job but it can only do &quot;so much&quot; in these cavernous studios. Using two AD200's, placed at opposite ends of the studio should give me more loads more control over both the amount of light being put out and its directionality. Something I'm very much looking forward to.</blockquote>

[QUOTE="Horoscope Fish, post: 682293, member: 13090"] That's a pretty awesome looking mount but it's not something I would need personally. For $150 a single Godox SK400 would put out the same wattage (versus $600 for two AD200's). The downside is the SK400 runs off AC power instead of a battery and, of course, they're larger and bulkier. I'd use strobes myself but running electrical cords in a dance studio is not something I like having to do. Still, if I was shooting outdoors, needed to put 400 watts on a relatively small area and AC power was out the question, that mount would be a handy thing indeed. The reason I'm getting a second AD200 is because I want to better illuminate large, open-floor dance studios. My primary location has a 15' ceiling (fortunately it's white) which I bounce off of routinely. One AD200 does a pretty good job but it can only do "so much" in these cavernous studios. Using two AD200's, placed at opposite ends of the studio should give me more loads more control over both the amount of light being put out and its directionality. Something I'm very much looking forward to. [/QUOTE]

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