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<blockquote data-quote="Kodiak" data-source="post: 176208" data-attributes="member: 15426"><p>Hi Derek,</p><p></p><p>Too bad your shots are so small… I dig your composition eye on all but the fourth.</p><p></p><p>As I am a fanatic of nothing, specially not of rules, I will not insist on the rule of</p><p>thirds when it comes to composition. I will, however, recommend that you keep</p><p>the horizon away from the dead centre line of your frame because it is the weakest </p><p>point, compo speaking, as no tension is laid out for the eye to play with as in 1, 2, and 5.</p><p></p><p>In 2 and 5, with such empty skies, the option of filling your frame with more of the</p><p>foreground could have been a solution. Unless… you would have chosen the emptiness</p><p>as main motive in the shot. In which case, one could leave more space to the sky!</p><p></p><p>The Clouds in 1 would force to a more difficult decision since no part of the picture</p><p>is empty!</p><p></p><p>Again, I dig your composition eye…</p><p></p><p>Have a good time!</p></blockquote><p></p>
[QUOTE="Kodiak, post: 176208, member: 15426"] Hi Derek, Too bad your shots are so small… I dig your composition eye on all but the fourth. As I am a fanatic of nothing, specially not of rules, I will not insist on the rule of thirds when it comes to composition. I will, however, recommend that you keep the horizon away from the dead centre line of your frame because it is the weakest point, compo speaking, as no tension is laid out for the eye to play with as in 1, 2, and 5. In 2 and 5, with such empty skies, the option of filling your frame with more of the foreground could have been a solution. Unless… you would have chosen the emptiness as main motive in the shot. In which case, one could leave more space to the sky! The Clouds in 1 would force to a more difficult decision since no part of the picture is empty! Again, I dig your composition eye… Have a good time! [/QUOTE]
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