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<blockquote data-quote="Blue439" data-source="post: 827307" data-attributes="member: 53455"><p><strong>A Mediæval boar hunt (2022)</strong></p><p></p><p>A very vivid depiction of a boar hunt on a capital in the Romanesque church of Saint Hillary in the village of Melle (western France), on one of the Paths to Compostela, the <em>Via Turonensis</em> that begins in the city of Tours, on the Loire River.</p><p></p><p>The so-called “fake apparel”, i.e., simulating joints between stones with paint, is typical of the way “restorers” used to like to do things in the 19th century. In this instance like in so many others, restorers are more “inventors”, creating things that never were there but “looked Mediæval” to their eyes.</p><p></p><p>Nikon Z7 II, Sigma 135mm, ƒ/1.8 E Art lens, FTZ II adapter. Gitzo tripod, Benro geared head. Natural light.</p><p></p><p>[ATTACH=full]413281[/ATTACH]</p></blockquote><p></p>
[QUOTE="Blue439, post: 827307, member: 53455"] [B]A Mediæval boar hunt (2022)[/B] A very vivid depiction of a boar hunt on a capital in the Romanesque church of Saint Hillary in the village of Melle (western France), on one of the Paths to Compostela, the [I]Via Turonensis[/I] that begins in the city of Tours, on the Loire River. The so-called “fake apparel”, i.e., simulating joints between stones with paint, is typical of the way “restorers” used to like to do things in the 19th century. In this instance like in so many others, restorers are more “inventors”, creating things that never were there but “looked Mediæval” to their eyes. Nikon Z7 II, Sigma 135mm, ƒ/1.8 E Art lens, FTZ II adapter. Gitzo tripod, Benro geared head. Natural light. [ATTACH type="full"]413281[/ATTACH] [/QUOTE]
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