Forums
New posts
Search forums
What's new
New posts
New media
New media comments
New profile posts
Latest activity
Media
New media
New comments
Search media
Members
Current visitors
New profile posts
Search profile posts
Log in
Register
What's new
Search
Search
Search titles only
By:
New posts
Search forums
Menu
Log in
Register
Install the app
Install
Forums
Learning
Photography Q&A
Poll: Metering for landscape, Spot or Matrix?
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Reply to thread
Message
<blockquote data-quote="Joseph Bautsch" data-source="post: 14017" data-attributes="member: 654"><p>The ideal f/stop, for most lenses, for scenic shooting is f/11 up to f/18. That range gives you the best depth of field and takes advantage of the sharpest area of the lens. At f/22 and above you get light refraction around the shutter blades and the image actually gets less sharp. Below f/11 the depth of field starts falling off. Every lens will have it's sweet spot (it's sharpest point and best depth of field) somewhere between f/11 and f/18. An ND filter does only one thing; reduce the amount of light coming into the lens. A graduated ND is used to block the light coming from certain areas of the shot, such as a sunset or sun rise. This in effect reduces the f/stop range so that you get details in the foreground shadows and details in the rising or setting sun. ND filters are great for reducing the f/stop range of a scene (A DSLR camera has about a six f/stop exposure range for max details in shadows and highlights) to get the exposure into the f/11 to f/18 range and/or to slow the shutter speed to show motion such as water falls. CPL filters not only take out glare and reflected light but also act as a 1 1/2 stop ND filter.</p></blockquote><p></p>
[QUOTE="Joseph Bautsch, post: 14017, member: 654"] The ideal f/stop, for most lenses, for scenic shooting is f/11 up to f/18. That range gives you the best depth of field and takes advantage of the sharpest area of the lens. At f/22 and above you get light refraction around the shutter blades and the image actually gets less sharp. Below f/11 the depth of field starts falling off. Every lens will have it's sweet spot (it's sharpest point and best depth of field) somewhere between f/11 and f/18. An ND filter does only one thing; reduce the amount of light coming into the lens. A graduated ND is used to block the light coming from certain areas of the shot, such as a sunset or sun rise. This in effect reduces the f/stop range so that you get details in the foreground shadows and details in the rising or setting sun. ND filters are great for reducing the f/stop range of a scene (A DSLR camera has about a six f/stop exposure range for max details in shadows and highlights) to get the exposure into the f/11 to f/18 range and/or to slow the shutter speed to show motion such as water falls. CPL filters not only take out glare and reflected light but also act as a 1 1/2 stop ND filter. [/QUOTE]
Verification
Post reply
Forums
Learning
Photography Q&A
Poll: Metering for landscape, Spot or Matrix?
Top