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<blockquote data-quote="csgaraglino" data-source="post: 573252" data-attributes="member: 42498">I don't really care about the side car files - it's more about editing and what's being edited.For example - lets say that you have a high dynamic range photos of a quarterback in mid play. Seemingly simple everyday shot someone might take (be it peewee, high school, college or NFL).The camera got 80% of whats needed in camera and now you bring it in your editor and start making those tweaks.But the biggest problem with the shot that keeps ot form being on the cover of SI is that the QB's face is too dark!Moat all solutions will allow you to preform specific local edits - but not with the most important data - the RAW data.And yes - I have the Nik Collection add-on to get the UPoint power and prescience - but in LR and PS you have to use it on Baked JPEG's? And in a lot of cases - there is just not enough data to get a good pull form the dark.In NX2 - you got all the RAW data to pull form.If you have never sreiously used NX2 as your editing tool - you'll not understand what power you have lost!I know NX2 is done - and at this point I have to either jump ship into the Adobe Kool-Aid pond OR sell the D810 and get a D4 and stick with NX2</blockquote>

[QUOTE="csgaraglino, post: 573252, member: 42498"] I don't really care about the side car files - it's more about editing and what's being edited. For example - lets say that you have a high dynamic range photos of a quarterback in mid play. Seemingly simple everyday shot someone might take (be it peewee, high school, college or NFL). The camera got 80% of whats needed in camera and now you bring it in your editor and start making those tweaks. But the biggest problem with the shot that keeps ot form being on the cover of SI is that the QB's face is too dark! Moat all solutions will allow you to preform specific local edits - but not with the most important data - the RAW data. And yes - I have the Nik Collection add-on to get the UPoint power and prescience - but in LR and PS you have to use it on Baked JPEG's? And in a lot of cases - there is just not enough data to get a good pull form the dark. In NX2 - you got all the RAW data to pull form. If you have never sreiously used NX2 as your editing tool - you'll not understand what power you have lost! I know NX2 is done - and at this point I have to either jump ship into the Adobe Kool-Aid pond OR sell the D810 and get a D4 and stick with NX2 [/QUOTE]

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