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<blockquote data-quote="theregsy" data-source="post: 16729" data-attributes="member: 4398">I have to combine the 2, I usually shoot live music festivals so there is an amount of planning to the who is doing what, were and when and what can I get from it, indoor stages, outdoor daylight, evening night shooting there is a wide variety to pick from and ideas to be generated.&nbsp; But because you are at an event where things happen all the time you have to be in walkaround mode as well, looking for fancy dress, mud surfing (hopefully less of that this year, I'm still damp I think) to that something that is happening as you dash from one stage to the next.&nbsp; There are some great ideas though in your post Helene and it should maybe hep me structure what I am after in the planned bits and have a little more space or time for hunting the unplanned bits.A good read adn thanks for sharing <img src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" class="smilie smilie--sprite smilie--sprite1" alt=":)" title="Smile&nbsp; &nbsp; :)" loading="lazy" data-shortname=":)" /></blockquote>

[QUOTE="theregsy, post: 16729, member: 4398"] I have to combine the 2, I usually shoot live music festivals so there is an amount of planning to the who is doing what, were and when and what can I get from it, indoor stages, outdoor daylight, evening night shooting there is a wide variety to pick from and ideas to be generated. But because you are at an event where things happen all the time you have to be in walkaround mode as well, looking for fancy dress, mud surfing (hopefully less of that this year, I'm still damp I think) to that something that is happening as you dash from one stage to the next. There are some great ideas though in your post Helene and it should maybe hep me structure what I am after in the planned bits and have a little more space or time for hunting the unplanned bits. A good read adn thanks for sharing :) [/QUOTE]

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