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<blockquote data-quote="BackdoorArts" data-source="post: 338942" data-attributes="member: 9240">I've found while you don't need a focal point, you need something that you're trying to capture with the pull.&nbsp; I've yet to work out a science to it.&nbsp; The goal with these was to give the subject I wanted to capture enough time at the one extreme to imprint on the frame so that you'd know what it was.&nbsp; There were some other shots that didn't yield this, but were still kind of cool (SOOC)...[ATTACH=full]104453[/ATTACH]It's a neat effect that can add feel to certain subjects, like that old cellar door...[ATTACH=full]104454[/ATTACH]I'm finding that anything slower than 1/4sec makes handholding and getting a clear shot difficult.&nbsp; Stick it on a tripod with an ND filter and you can do some really nice stuff outdoors, giving you time to pause at two spots.&nbsp; Indoors that's a little easier since you can control light.</blockquote>

[QUOTE="BackdoorArts, post: 338942, member: 9240"] I've found while you don't need a focal [I]point[/I], you need something that you're trying to capture with the pull. I've yet to work out a science to it. The goal with these was to give the subject I wanted to capture enough time at the one extreme to imprint on the frame so that you'd know what it was. There were some other shots that didn't yield this, but were still kind of cool (SOOC)... [ATTACH type="full" width="60%"]104453._xfImport[/ATTACH] It's a neat effect that can add feel to certain subjects, like that old cellar door... [ATTACH type="full" width="60%"]104454._xfImport[/ATTACH] I'm finding that anything slower than 1/4sec makes handholding and getting a clear shot difficult. Stick it on a tripod with an ND filter and you can do some really nice stuff outdoors, giving you time to pause at two spots. Indoors that's a little easier since you can control light. [/QUOTE]

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