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<blockquote data-quote="STM" data-source="post: 323180" data-attributes="member: 12827"><p>The kind of "post processing" tricks he (and any other film photographer) had available to him was very small compared to what can be done today. And they were far less precise. Today with graphics programs you can immediately see the effect of the modifications you have made. He had to wait until the print had been in the fixer long enough to turn the lights on. It was/is a WHOLE DIFFERENT WORLD. Adams was the true master of his craft. If you want to do some incredible and truly awe inspiring reading, buy or check out his three volume set; The Camera, The Negative and The Print. I have had my copies for over 30 years (I think) and have read each cover to cover at least a half dozen times.</p></blockquote><p></p>
[QUOTE="STM, post: 323180, member: 12827"] The kind of "post processing" tricks he (and any other film photographer) had available to him was very small compared to what can be done today. And they were far less precise. Today with graphics programs you can immediately see the effect of the modifications you have made. He had to wait until the print had been in the fixer long enough to turn the lights on. It was/is a WHOLE DIFFERENT WORLD. Adams was the true master of his craft. If you want to do some incredible and truly awe inspiring reading, buy or check out his three volume set; The Camera, The Negative and The Print. I have had my copies for over 30 years (I think) and have read each cover to cover at least a half dozen times. [/QUOTE]
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