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New Member Introductions
Hi from a bus in the middle of East Anglia : )
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<blockquote data-quote="J A Mortram" data-source="post: 10714" data-attributes="member: 3647"><p>Thanks Joseph. Using the D200 as I do, spot metering in natural light and heavy emphasis on natural light/shadows it does work better in B&W as noise with the D200 is lousy over ISO400... so I usually shoot 800ASA colour film indoors with a FM2 (or some B&W 400/800) and though colour can often be a pre requisite for editors of print stories my personal choice is about 98% to go for B&W.</p><p></p><p>I think it's more natural for me to shoot in or convert to B&W as I first experienced photography, before learning any history or seeing any images (were talking as a 10 year old kid here!) in my fathers little darkroom watching him make B&W prints and that's my oldest notion of what photography is and it's an indelible template for a way to see now: )</p></blockquote><p></p>
[QUOTE="J A Mortram, post: 10714, member: 3647"] Thanks Joseph. Using the D200 as I do, spot metering in natural light and heavy emphasis on natural light/shadows it does work better in B&W as noise with the D200 is lousy over ISO400... so I usually shoot 800ASA colour film indoors with a FM2 (or some B&W 400/800) and though colour can often be a pre requisite for editors of print stories my personal choice is about 98% to go for B&W. I think it's more natural for me to shoot in or convert to B&W as I first experienced photography, before learning any history or seeing any images (were talking as a 10 year old kid here!) in my fathers little darkroom watching him make B&W prints and that's my oldest notion of what photography is and it's an indelible template for a way to see now: ) [/QUOTE]
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New Member Introductions
Hi from a bus in the middle of East Anglia : )
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