Forums
New posts
Search forums
What's new
New posts
New media
New media comments
New profile posts
Latest activity
Media
New media
New comments
Search media
Members
Current visitors
New profile posts
Search profile posts
Log in
Register
What's new
Search
Search
Search titles only
By:
New posts
Search forums
Menu
Log in
Register
Install the app
Install
Forums
Lenses
General Lenses
Help in buying a Macro Lens
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Reply to thread
Message
<blockquote data-quote="WayneF" data-source="post: 323424" data-attributes="member: 12496"><p>The current macro lenses will focus close enough to see 1:1 magnification. 1:1 magnification means the image is the same actual size as the object photographed. In film days, after we developed the film, 1:1 meant the image on the film was same actual size as the subject object.</p><p></p><p>We cannot take a digital sensor out and look at it, but still same meaning, and 1:1 can be compared this way:</p><p></p><p>An object that is one inch in size (a coin or a stamp say) is 25.4 mm.</p><p></p><p>At 1:1, the image of this one inch object would be slightly larger than the width of a DX frame (24mm),</p><p>or it would be slightly larger than the height of a FX frame (24mm).</p><p>Either way, it would be magnified to 1:1 actual size.</p><p></p><p>Since most macro lenses do 1:1 today, the other difference is their focal length. Some Nikon macro lenses are 40 mm, 60 mm, 85 mm, 105mm, or 200 mm focal length. Other brands of macro lenses might be 90 or 150mm, etc.</p><p></p><p>Longer focal length is a telephoto lens (which is yet another effect), and we have to stand back farther to get everything in the frame. This can be a plus at 1:1, it allows more working room, the lens itself does not block the lighting (shadow on the the subject), and greater working distance may scare live bugs less. </p><p></p><p>However, this greater working distance can be a negative on a larger table top scene, the room may not be large enough to let a telephoto see the entire table top scene. For example (assuming 35mm film or FX), copy stand work typically uses 55 or 60mm lenses, since the copy stand cannot be tall enough to use a 105 or 150 mm lens.</p><p></p><p>At 1:1, the 60mm lens will have less than three inches in front of the lens (to the subject). About 2 7/8 inches.</p><p></p><p>At 1:1, the 105mm lens will have about six inches in front of the lens (to the subject). This is rather noticeable, and better (if at 1:1). But... of course the 60mm still can work. It just has to be closer, nearly half the distance.</p><p></p><p>Focus Distance is measured to the image plane at the rear of the camera, but this distance in front of lens is called the Working Distance. Six inches is a plus at 1:1. But for table top scenes, working distance of say 7 feet compared to only 4 feet may be awkward, if we cannot reach both subject and camera at same time, or if we don't have 7 feet of room.</p><p></p><p></p><p>Here is an excellent chart showing working distance (WD) of many macro lenses for Nikon.</p><p></p><p><a href="http://www.jeffree.co.uk/pages/macro-lens-calcs.html" target="_blank">http://www.jeffree.co.uk/pages/macro-lens-calcs.html</a></p></blockquote><p></p>
[QUOTE="WayneF, post: 323424, member: 12496"] The current macro lenses will focus close enough to see 1:1 magnification. 1:1 magnification means the image is the same actual size as the object photographed. In film days, after we developed the film, 1:1 meant the image on the film was same actual size as the subject object. We cannot take a digital sensor out and look at it, but still same meaning, and 1:1 can be compared this way: An object that is one inch in size (a coin or a stamp say) is 25.4 mm. At 1:1, the image of this one inch object would be slightly larger than the width of a DX frame (24mm), or it would be slightly larger than the height of a FX frame (24mm). Either way, it would be magnified to 1:1 actual size. Since most macro lenses do 1:1 today, the other difference is their focal length. Some Nikon macro lenses are 40 mm, 60 mm, 85 mm, 105mm, or 200 mm focal length. Other brands of macro lenses might be 90 or 150mm, etc. Longer focal length is a telephoto lens (which is yet another effect), and we have to stand back farther to get everything in the frame. This can be a plus at 1:1, it allows more working room, the lens itself does not block the lighting (shadow on the the subject), and greater working distance may scare live bugs less. However, this greater working distance can be a negative on a larger table top scene, the room may not be large enough to let a telephoto see the entire table top scene. For example (assuming 35mm film or FX), copy stand work typically uses 55 or 60mm lenses, since the copy stand cannot be tall enough to use a 105 or 150 mm lens. At 1:1, the 60mm lens will have less than three inches in front of the lens (to the subject). About 2 7/8 inches. At 1:1, the 105mm lens will have about six inches in front of the lens (to the subject). This is rather noticeable, and better (if at 1:1). But... of course the 60mm still can work. It just has to be closer, nearly half the distance. Focus Distance is measured to the image plane at the rear of the camera, but this distance in front of lens is called the Working Distance. Six inches is a plus at 1:1. But for table top scenes, working distance of say 7 feet compared to only 4 feet may be awkward, if we cannot reach both subject and camera at same time, or if we don't have 7 feet of room. Here is an excellent chart showing working distance (WD) of many macro lenses for Nikon. [URL]http://www.jeffree.co.uk/pages/macro-lens-calcs.html[/URL] [/QUOTE]
Verification
Post reply
Forums
Lenses
General Lenses
Help in buying a Macro Lens
Top