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Hello From Everywhere / Nowhere
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<blockquote data-quote="Phanntom" data-source="post: 442263" data-attributes="member: 38571"><p>Thank you...so am I. </p><p></p><p>The project turns out to be far more work than I'd anticipated. First...I figured maybe a few hundred left. By the time I finished the research there ended up being over 4,000. Because many of those are recent builds and only serve to cross a ditch with a drive into an apartment complex or something, or across stream on a golf course I've managed to winnow the list down to about 2,100 that actually have historical significance. </p><p></p><p>To make matters worse...prior to this year, like most photographic hacks, I'd shoot a ton of shots with the idea of getting 1 or 2 I could use. This year, I've turned over a new leaf as a result of watching a documentary on Ansel Adams. I've resolved to limit myself to 2 shots...no more than 3 of any static subject. I'll explain this more in a blog post.</p><p>Denny</p></blockquote><p></p>
[QUOTE="Phanntom, post: 442263, member: 38571"] Thank you...so am I. The project turns out to be far more work than I'd anticipated. First...I figured maybe a few hundred left. By the time I finished the research there ended up being over 4,000. Because many of those are recent builds and only serve to cross a ditch with a drive into an apartment complex or something, or across stream on a golf course I've managed to winnow the list down to about 2,100 that actually have historical significance. To make matters worse...prior to this year, like most photographic hacks, I'd shoot a ton of shots with the idea of getting 1 or 2 I could use. This year, I've turned over a new leaf as a result of watching a documentary on Ansel Adams. I've resolved to limit myself to 2 shots...no more than 3 of any static subject. I'll explain this more in a blog post. Denny [/QUOTE]
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