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Going pro on the cheap
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<blockquote data-quote="Pretzel" data-source="post: 240378" data-attributes="member: 12257"><p>My thoughts are... you can go "semi-pro" for less, and scope out several things in the meantime:</p><p></p><p>1) Is it a love, or just a profession?</p><p>2) Do your occasional clients love what you produce?</p><p>3) Does practicing your love become tedious when having to "perform" at the whims of others?</p><p></p><p>Now, to be fair, I know a <em>few </em>people that DO support themselves with less of an investment, but they are <em>incredibly</em> talented, and they treat it like a job even on the days they don't want to shoot. Plus, they're constantly pushing themselves into more of an investment. I'd even go out on a limb and say that a talented photographer <em>could</em> probably make a living with a DXXXX (pick a model), the kit lens, a decent zoom (200-300mm), and the Adobe 10$ PS subscription. All depending, of course, on their area of expertise.</p><p></p><p>A lot of what it takes to be a success, no matter the level of investment, is found in the person, not the expenditure. Yes, to become a LARGER success, you'd eventually need to make LARGER expenditures, but think about it. I'll compare it to the construction market. Give someone "good" $7000.00 worth of tools and he may flop, but give someone "GOOD" a few hundred dollars worth of tools, and he could be the most <em>in demand</em> handyman in town.</p><p></p><p>On the other side of things, I know a <em>lot</em> of folks that could make a living out of photography, based on both their level of investment AND their talent levels, but choose not to do so because of the joy stealing aspect of the <em>have to shoot to live</em> side of things. They are no less "pro" than the others, IMO.</p><p></p><p>Hope I didn't ramble too much...</p></blockquote><p></p>
[QUOTE="Pretzel, post: 240378, member: 12257"] My thoughts are... you can go "semi-pro" for less, and scope out several things in the meantime: 1) Is it a love, or just a profession? 2) Do your occasional clients love what you produce? 3) Does practicing your love become tedious when having to "perform" at the whims of others? Now, to be fair, I know a [I]few [/I]people that DO support themselves with less of an investment, but they are [I]incredibly[/I] talented, and they treat it like a job even on the days they don't want to shoot. Plus, they're constantly pushing themselves into more of an investment. I'd even go out on a limb and say that a talented photographer [I]could[/I] probably make a living with a DXXXX (pick a model), the kit lens, a decent zoom (200-300mm), and the Adobe 10$ PS subscription. All depending, of course, on their area of expertise. A lot of what it takes to be a success, no matter the level of investment, is found in the person, not the expenditure. Yes, to become a LARGER success, you'd eventually need to make LARGER expenditures, but think about it. I'll compare it to the construction market. Give someone "good" $7000.00 worth of tools and he may flop, but give someone "GOOD" a few hundred dollars worth of tools, and he could be the most [I]in demand[/I] handyman in town. On the other side of things, I know a [I]lot[/I] of folks that could make a living out of photography, based on both their level of investment AND their talent levels, but choose not to do so because of the joy stealing aspect of the [I]have to shoot to live[/I] side of things. They are no less "pro" than the others, IMO. Hope I didn't ramble too much... [/QUOTE]
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