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Flash options for D7000?
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<blockquote data-quote="spb_stan" data-source="post: 630601" data-attributes="member: 43545"><p>There is a Typo, should be Remote shutter release instead of "report". The Tx model is a lot easier to use, mounted on the camera shoe, the top of the 622Tx has a LCD display and every easy controls to set power of each group, mode etc from the camera. That makes shooting manual flash exposure a snap. In more complex lighting schemes,with kick lights, hair lights,background light, key light etc can all be controlled from the camera. When using more than 2 lights you usually want more control than TTL offers so manual is usually easier. But even if someone wanted to use TTL, dialing in exposure compensation on each group is easy from the 622Tx. The most speed lights I have used in a session with this set up was 6 and only because I only have 6 speed lights. More are in my future. One of my folding softboxes can handle 2 speedlights on a bracket and I am eyeing a folding Striplight that is always useful but only recently became available for folding and with diffusers designed for speed lights. Unless large scenes or overpowering midday sun, speedlights are taking the place of powerful strobes with expensive power packs for a lot of outdoor or remote sessions. If one only works in a studio, getting strobes makes a lot of sense but speed lights are fast becoming the norm. </p><p>If you have any specific questions on using speedlights, just ask, between us, there is a lot of experience with them on this forum.</p></blockquote><p></p>
[QUOTE="spb_stan, post: 630601, member: 43545"] There is a Typo, should be Remote shutter release instead of "report". The Tx model is a lot easier to use, mounted on the camera shoe, the top of the 622Tx has a LCD display and every easy controls to set power of each group, mode etc from the camera. That makes shooting manual flash exposure a snap. In more complex lighting schemes,with kick lights, hair lights,background light, key light etc can all be controlled from the camera. When using more than 2 lights you usually want more control than TTL offers so manual is usually easier. But even if someone wanted to use TTL, dialing in exposure compensation on each group is easy from the 622Tx. The most speed lights I have used in a session with this set up was 6 and only because I only have 6 speed lights. More are in my future. One of my folding softboxes can handle 2 speedlights on a bracket and I am eyeing a folding Striplight that is always useful but only recently became available for folding and with diffusers designed for speed lights. Unless large scenes or overpowering midday sun, speedlights are taking the place of powerful strobes with expensive power packs for a lot of outdoor or remote sessions. If one only works in a studio, getting strobes makes a lot of sense but speed lights are fast becoming the norm. If you have any specific questions on using speedlights, just ask, between us, there is a lot of experience with them on this forum. [/QUOTE]
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