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Message: <blockquote data-quote="Dyers" data-source="post: 324946" data-attributes="member: 27282">You have been an eye opener. I'm very grateful for all this help. I didn't know much about raw, and I'm beginning to learn how much I don't know. I like it that all of the original data collected by the camera is retained even after editing. I really like it that it's a tool that I already have on my machine. The bulk editing features seem amazing, and they are the basis of this question. In the images you edited simultaneously, your subject was not only sitting in the same lighting, but she was wearing the same color. Could you bulk edit as successfully if she were wearing different clothes in each image, or if different people were sitting in otherwise identical conditions? In our situation, we're photographing yarn which, while infinitely more patient than human subjects, are created in an infinitely wider variety of color. Is the bulk edit feature of raw likely to work for me, or are we better off by just editing the several views of each yarn together, but separate from any other colors in the queue to be corrected as you say?After I asked about making a white card, I read what you said about brighteners that actually lean blue. Sensible about the copy paper alternative, but I'll try a Portabrace, $5.21 & free shipping at Amazon, but it's part of their Add-On line of low priced items that wouldn't otherwise be practical to ship, and you have to place a minimum order of $25, I think. I order from them weekly, so I just added it to my list. When I open an image (jpeg) in camera raw, the white balance drop-down displays only 3 options: As Shot, Auto, & Custom. What do I do to get the other options I see in your video?ETA: I forgot to ask about something  you wrote in your last post.How do you mean shifting?</blockquote>

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