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Difference between on-cam flash vs trigger
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<blockquote data-quote="hulk2012" data-source="post: 275255" data-attributes="member: 14329"><p>Ok I understand that but in my situation debating whether to get pocket wizard of not is quite frustrating. Especially after watching 3hr of nikon tutorial teaching how to use their speedlight CLS System control by master in the nikon camera. Guy is shooting indoor as well as outdoor and remotely being able to tweak/adjust every setting to every speedlight. He is also using unlimited amount of them in 3 groups playing with their individually. Amazing. Not sure if after investing into pocket wizard (one for each speedlight) won't limit the futures of nikon CLS. Especially adjusting/tweaking them remotely when u sitting and they are on high tripod far away etc...</p><p></p><p>My aim is to be as remote/compact as possible and that's shooting portraits on location rather being bound to my studio waiting for the client to turn up etc. Today people are already busy enough and I think my remote service turning up in clients house with mobile studio will be win win for both parties. Therefore I am trying to get as mobile as possible while buying my gear. So far I've got sb910, d800 and 3 prime G lenses. Not sure what's next and that's the point. Some advising on anther few nikon speed lights, some invest in consistent light (soft boxes).. </p><p></p><p>I'm a bit confused here to be honest...</p></blockquote><p></p>
[QUOTE="hulk2012, post: 275255, member: 14329"] Ok I understand that but in my situation debating whether to get pocket wizard of not is quite frustrating. Especially after watching 3hr of nikon tutorial teaching how to use their speedlight CLS System control by master in the nikon camera. Guy is shooting indoor as well as outdoor and remotely being able to tweak/adjust every setting to every speedlight. He is also using unlimited amount of them in 3 groups playing with their individually. Amazing. Not sure if after investing into pocket wizard (one for each speedlight) won't limit the futures of nikon CLS. Especially adjusting/tweaking them remotely when u sitting and they are on high tripod far away etc... My aim is to be as remote/compact as possible and that's shooting portraits on location rather being bound to my studio waiting for the client to turn up etc. Today people are already busy enough and I think my remote service turning up in clients house with mobile studio will be win win for both parties. Therefore I am trying to get as mobile as possible while buying my gear. So far I've got sb910, d800 and 3 prime G lenses. Not sure what's next and that's the point. Some advising on anther few nikon speed lights, some invest in consistent light (soft boxes).. I'm a bit confused here to be honest... [/QUOTE]
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Difference between on-cam flash vs trigger
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