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<blockquote data-quote="ohkphoto" data-source="post: 159132" data-attributes="member: 1573">You are most welcome.&nbsp; We all learn to be creative by simply doing and trying to think out of the box a little.&nbsp; Now that you got the effect you want with HDR, you can start experimenting.I have the the Sigma 10-20 and love it.Actually, Don's suggestion about asking people to move is a good one.&nbsp; Most people are pretty good about not getting in your line of sight when you're pointing the camera.&nbsp; I've even set up a shot, waited until there were as few people as possible, then just simply asked them to wait a couple of seconds.&nbsp; I looked at your tower photo on Flckr, and here's a thought . . . including the stairs in the tower shot would have added a&nbsp; drama, and carrying it a little further, putting one shoe on the step, coverting the photo to black and white, adding drama to the sky, . . . you can see the train of thought here.&nbsp; The possibilities are endless.LOL</blockquote>

[QUOTE="ohkphoto, post: 159132, member: 1573"] You are most welcome. We all learn to be creative by simply doing and trying to think out of the box a little. Now that you got the effect you want with HDR, you can start experimenting. I have the the Sigma 10-20 and love it. Actually, Don's suggestion about asking people to move is a good one. Most people are pretty good about not getting in your line of sight when you're pointing the camera. I've even set up a shot, waited until there were as few people as possible, then just simply asked them to wait a couple of seconds. I looked at your tower photo on Flckr, and here's a thought . . . including the stairs in the tower shot would have added a drama, and carrying it a little further, putting one shoe on the step, coverting the photo to black and white, adding drama to the sky, . . . you can see the train of thought here. The possibilities are endless.LOL [/QUOTE]

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