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<blockquote data-quote="BackdoorArts" data-source="post: 528331" data-attributes="member: 9240">White balance is the only camera adjustable setting that carries over to Lr/ACR from the RAW file.&nbsp; The rest are available, but Adobe chooses not to use them.&nbsp; The preview image on the back is a JPEG with all camera settings applied and is stored with the RAW file.&nbsp; If you pay attention during your import process you'll see that the first pass of the Lr import shows the preview image from the camera JPEG, but the second pass (if you have it set to build a standard or 1:1 preview) will build a new preview based on the Camera Raw defaults (which can be customized by camera but cannot be set to replicate file data) and you can actually watch as the preview image changes from the one generated in camera to the Adobe generated image.&nbsp; I override the initial profile from Adobe Standard to Camera Standard, apply a different default level of sharpening, and turn on the corrections for CA and lens profiles.And so you know, the camera profiles provided by Adobe for each camera body are approximations of the Nikon profiles.&nbsp; Some are better than others, some are apparently really bad.</blockquote>

[QUOTE="BackdoorArts, post: 528331, member: 9240"] White balance is the [I]only[/I] camera adjustable setting that carries over to Lr/ACR from the RAW file. The rest are available, but Adobe chooses not to use them. The preview image on the back is a JPEG with all camera settings applied and is stored with the RAW file. If you pay attention during your import process you'll see that the first pass of the Lr import shows the preview image from the camera JPEG, but the second pass (if you have it set to build a standard or 1:1 preview) will build a new preview based on the Camera Raw defaults (which can be customized by camera but cannot be set to replicate file data) and you can actually watch as the preview image changes from the one generated in camera to the Adobe generated image. I override the initial profile from Adobe Standard to Camera Standard, apply a different default level of sharpening, and turn on the corrections for CA and lens profiles. And so you know, the camera profiles provided by Adobe for each camera body are [I]approximations[/I] of the Nikon profiles. Some are better than others, some are apparently [I]really[/I] bad. [/QUOTE]

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