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<blockquote data-quote="Bossman" data-source="post: 100738" data-attributes="member: 11665"><p>Hello Pat,</p><p></p><p>I work with a couple of Fuji S5 pro's, Fuji IS pro, D90 and a D7000. Nothing I have tried comes close to what I get from the Fuji's superb sensor, especially in my line of work which is Wedding and Portraits. That's only my opinion and why I stick with it. I have only a couple of years till I retire so I'm hoping they will see me through. May have to buy another body but I'll just wait and see. Borrowed a mates D3 a while back and it's a superb bit of kit but I still like my Fuji's, they are not as fast but you don't need 12 frames /second at a wedding,, well I don't. anyway.</p><p>I do a lot of commercial work for my Local Car dealerships updating their websites and I have used the D90 for that because they only need email size jpegs uploaded the same day straight from the camera and on site. </p><p>The D90 is 3years old and has over 150,000 shutter actuations and still going strong. Now thats the kiss of death if ever there was one. My flashes are SB800,SB900, and a SB400 used shooting car interiors and also it slips in my pocket just in case I need to fill in quickly at a wedding, and also now, the YN468-11. Oh and an old Metz 45-CL4 hammerhead which is probably dead by now, never been used on a digital camera and the battery packs will be goosed by now, old NI-Cads. </p><p>Oh the bad old days! Well they were not that bad, digital has increased my workload x 10. Used to shoot about 5rolls of 120 bang them into my lab and slip the pictures into album pages, done in a jiffy. Takes me a day to edit out the trash from about 500/600 images and make a DVD slideshow now. Then another couple of days constructing album pages on Photoshop ready to print or send off to an album manufacturer. </p><p>Thats my rant for today over.<img src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" class="smilie smilie--sprite smilie--sprite9" alt=":eek:" title="Eek! :eek:" loading="lazy" data-shortname=":eek:" />nthego:</p><p></p><p>Regards as aye, Happy New Year to all and stay lucky.:encouragement:</p><p></p><p>Peter</p></blockquote><p></p>
[QUOTE="Bossman, post: 100738, member: 11665"] Hello Pat, I work with a couple of Fuji S5 pro's, Fuji IS pro, D90 and a D7000. Nothing I have tried comes close to what I get from the Fuji's superb sensor, especially in my line of work which is Wedding and Portraits. That's only my opinion and why I stick with it. I have only a couple of years till I retire so I'm hoping they will see me through. May have to buy another body but I'll just wait and see. Borrowed a mates D3 a while back and it's a superb bit of kit but I still like my Fuji's, they are not as fast but you don't need 12 frames /second at a wedding,, well I don't. anyway. I do a lot of commercial work for my Local Car dealerships updating their websites and I have used the D90 for that because they only need email size jpegs uploaded the same day straight from the camera and on site. The D90 is 3years old and has over 150,000 shutter actuations and still going strong. Now thats the kiss of death if ever there was one. My flashes are SB800,SB900, and a SB400 used shooting car interiors and also it slips in my pocket just in case I need to fill in quickly at a wedding, and also now, the YN468-11. Oh and an old Metz 45-CL4 hammerhead which is probably dead by now, never been used on a digital camera and the battery packs will be goosed by now, old NI-Cads. Oh the bad old days! Well they were not that bad, digital has increased my workload x 10. Used to shoot about 5rolls of 120 bang them into my lab and slip the pictures into album pages, done in a jiffy. Takes me a day to edit out the trash from about 500/600 images and make a DVD slideshow now. Then another couple of days constructing album pages on Photoshop ready to print or send off to an album manufacturer. Thats my rant for today over.:onthego: Regards as aye, Happy New Year to all and stay lucky.:encouragement: Peter [/QUOTE]
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