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<blockquote data-quote="Needa" data-source="post: 829426" data-attributes="member: 37799">Are you doing post processing or are these out of camera JPG?On the first image it would be easy to create an focal point for the leading lines, the bridge. This could be done by have the bridge in focus and darker as the image is basically a gray scale with blue. When I say making the bridge darker this would be a post processing thing and just a bit and not the whole image, to help pull attention. The other thing I would like to is less foreground, nothing of interest there, maybe use a 16X9 crop pushed to the top of the frame. If this a place nearby go back and shoot using different areas of focus to get an idea of how it might look.Number two looks to be a long exposure, nice. It appears you have ghosts, I prefer not to have people in long exposures , just can't get them to cooperate. If you go on a windless day the palms will be sharper. Might be a place for an early morning or evening image with the pier lit.</blockquote>

[QUOTE="Needa, post: 829426, member: 37799"] Are you doing post processing or are these out of camera JPG? On the first image it would be easy to create an focal point for the leading lines, the bridge. This could be done by have the bridge in focus and darker as the image is basically a gray scale with blue. When I say making the bridge darker this would be a post processing thing and just a bit and not the whole image, to help pull attention. The other thing I would like to is less foreground, nothing of interest there, maybe use a 16X9 crop pushed to the top of the frame. If this a place nearby go back and shoot using different areas of focus to get an idea of how it might look. Number two looks to be a long exposure, nice. It appears you have ghosts, I prefer not to have people in long exposures , just can't get them to cooperate. If you go on a windless day the palms will be sharper. Might be a place for an early morning or evening image with the pier lit. [/QUOTE]

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