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Photo Evaluation
Photo Critique
BMW M3 in Sunrise Light
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<blockquote data-quote="ADM5" data-source="post: 265695" data-attributes="member: 20598"><p>Thanks for the feedback.I understand it does need a tight crop in this case. As for the angle I believe the profile shot is an important one for shooting cars. I have many other shots of this car at all kinds of angles. However, what my "client" wanted was to highlight the profile and his new set of wheels (and capture the depth of the hub). This was just one of many in this set.As for the white balance adjustment...I guess that's a good point but I like to try and capture what's there. At this time there was yellow morning sunlight and that's what I captured. This particular color is Sparkling Graphite (rare, only offered for one year) and it's amazing to see this color in all kinds of lighting as it's very dynamic.So in terms of shooting cars do I really need to make a white balance adjustment when I want to capture this paint in the lighting I have? After all, when you look at this car at a show in person you don't get the luxury of white balance adjustments so that's what I capture and offer. Or is my approach kind of....off?</p></blockquote><p></p>
[QUOTE="ADM5, post: 265695, member: 20598"] Thanks for the feedback.I understand it does need a tight crop in this case. As for the angle I believe the profile shot is an important one for shooting cars. I have many other shots of this car at all kinds of angles. However, what my "client" wanted was to highlight the profile and his new set of wheels (and capture the depth of the hub). This was just one of many in this set.As for the white balance adjustment...I guess that's a good point but I like to try and capture what's there. At this time there was yellow morning sunlight and that's what I captured. This particular color is Sparkling Graphite (rare, only offered for one year) and it's amazing to see this color in all kinds of lighting as it's very dynamic.So in terms of shooting cars do I really need to make a white balance adjustment when I want to capture this paint in the lighting I have? After all, when you look at this car at a show in person you don't get the luxury of white balance adjustments so that's what I capture and offer. Or is my approach kind of....off? [/QUOTE]
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BMW M3 in Sunrise Light
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