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Post Processing
B&W Adjustment Layer
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<blockquote data-quote="hark" data-source="post: 765969" data-attributes="member: 13196"><p>Here is a memorial bench image I edited earlier this year.</p><p></p><p>[ATTACH=full]361783[/ATTACH]</p><p></p><p>My method below is based on Joel Grimes' - not the one described in the fstoppers article.</p><p></p><p>First I made a duplicate layer in PCC then took it over to Camera RAW. I converted the image to B&W, then under the HSL tab, I lowered the saturation for blue and orange and increased the saturation for green. </p><p></p><p>I took the image back to PCC where I set the blend mode to soft light and lowered the opacity of that layer to 82%. If I had wanted, I could have masked out the bench so the effect wouldn't be applied there...but I chose not to do that. It definitely adds contrast to the second image.</p><p></p><p>[ATTACH=full]361782[/ATTACH]</p></blockquote><p></p>
[QUOTE="hark, post: 765969, member: 13196"] Here is a memorial bench image I edited earlier this year. [ATTACH type="full" width="60%"]361783._xfImport[/ATTACH] My method below is based on Joel Grimes' - not the one described in the fstoppers article. First I made a duplicate layer in PCC then took it over to Camera RAW. I converted the image to B&W, then under the HSL tab, I lowered the saturation for blue and orange and increased the saturation for green. I took the image back to PCC where I set the blend mode to soft light and lowered the opacity of that layer to 82%. If I had wanted, I could have masked out the bench so the effect wouldn't be applied there...but I chose not to do that. It definitely adds contrast to the second image. [ATTACH type="full" width="60%"]361782._xfImport[/ATTACH] [/QUOTE]
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B&W Adjustment Layer
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