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<blockquote data-quote="hark" data-source="post: 765968" data-attributes="member: 13196">I haven't tried it yet for landscapes and don't have any portraits that would work for this particular style. Joel uses this technique for what he describes as gritty portraits. But I want to try Joel's style on a landscape - however, I'm not sure his editing style is quite the same as the one described in the fstoppers article. He used to shoot B&amp;W film (which I also did), and he mentioned when doing the conversion in Camera RAW, it allows the individual color sliders such as red, yellow, or orange to make a visible change to those specific tones as darker or lighter despite the image being in black and white. He compared it to using color filters on black and white film the way B&amp;W film shooters did. When the blend mode is changed in Photoshop, it alters the color layer that is beneath the B&amp;W layer to come up with an usual type of colorization. Here is one of Joel's images:[ATTACH]361781[/ATTACH]</blockquote>

[QUOTE="hark, post: 765968, member: 13196"] I haven't tried it yet for landscapes and don't have any portraits that would work for this particular style. Joel uses this technique for what he describes as [I][B]gritty[/B][/I] portraits. But I want to try Joel's style on a landscape - however, I'm not sure his editing style is quite the same as the one described in the fstoppers article. He used to shoot B&W film (which I also did), and he mentioned when doing the conversion in Camera RAW, it allows the individual color sliders such as red, yellow, or orange to make a visible change to those specific tones as darker or lighter despite the image being in black and white. He compared it to using color filters on black and white film the way B&W film shooters did. When the blend mode is changed in Photoshop, it alters the color layer that is beneath the B&W layer to come up with an usual type of colorization. Here is one of Joel's images: [ATTACH=CONFIG]361781._xfImport[/ATTACH] [/QUOTE]

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