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Post Processing
AdobeRGB VS sRGB colour space
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<blockquote data-quote="voxmagna" data-source="post: 497634" data-attributes="member: 38477"><p>I'll throw in another issue here. I shoot NEF raw + JPEGs because I want something quick to put on a TV when mobile and NEF post processed to JPEG will not display on some TV panels due to Adobe saving JPEG without chroma sub sampling for higher quality 7-12.</p><p></p><p>However, I also do HD video editing of scenes captured on my D750 and Sony Handy cams. The issue for me is either movie editing CIE sRGB because that is the color space of most commercial TV displays, or displaying JPEGS on similar displays and maybe printing where printers can handle the full color space of Adobe RGB. I think I understand from this thread that color space settings in the camera apply to the JPEG conversions and not NEF raw right? I also understand I can converts still images from wider Adobe RGB to sRGB but not the other way. </p><p></p><p>So shooting Adobe RGB captures a wider color gamut giving no advantage when converted to sRGB, but can give a wider tonal range if displayed or printed on devices capable of showing the wider color gamut of Adobe RGB.</p><p></p><p>I edit movie and still images from my D750 using Dual HP LP2475w lcd displays. The issue I have is how to manage the workflow color profiles if I am editing sRGB for movies and stills for TV display, or Adobe RGB for nice looking pictures on a Adobe RGB capable monitor or printer. I'd like the best of everything, future proof and with the least work re-calibrating monitors according to the workflow!</p><p></p><p>I have this idea which might be totally off the wall and I don't know yet if it is practical. In a dual monitor configuration, one display is used for post editing decisions and the second for actions screens. Content is easily shifted by mouse to either screen. I am wondering if it is possible to have one display profiled for Adobe RGB (HP 'custom' monitor setting) and the second monitor profiled for sRGB (An HP default setting). Windows 7-64 seems to allow each monitor profile to be set differently, but I can experiment. As far as I can tell the difference between the two profiles will not be huge and any differences in screen content like Windows icons and screens might be tolerable.</p><p></p><p>What say the experts? One monitor calibrated sRGB, the second monitor aRGB?</p></blockquote><p></p>
[QUOTE="voxmagna, post: 497634, member: 38477"] I'll throw in another issue here. I shoot NEF raw + JPEGs because I want something quick to put on a TV when mobile and NEF post processed to JPEG will not display on some TV panels due to Adobe saving JPEG without chroma sub sampling for higher quality 7-12. However, I also do HD video editing of scenes captured on my D750 and Sony Handy cams. The issue for me is either movie editing CIE sRGB because that is the color space of most commercial TV displays, or displaying JPEGS on similar displays and maybe printing where printers can handle the full color space of Adobe RGB. I think I understand from this thread that color space settings in the camera apply to the JPEG conversions and not NEF raw right? I also understand I can converts still images from wider Adobe RGB to sRGB but not the other way. So shooting Adobe RGB captures a wider color gamut giving no advantage when converted to sRGB, but can give a wider tonal range if displayed or printed on devices capable of showing the wider color gamut of Adobe RGB. I edit movie and still images from my D750 using Dual HP LP2475w lcd displays. The issue I have is how to manage the workflow color profiles if I am editing sRGB for movies and stills for TV display, or Adobe RGB for nice looking pictures on a Adobe RGB capable monitor or printer. I'd like the best of everything, future proof and with the least work re-calibrating monitors according to the workflow! I have this idea which might be totally off the wall and I don't know yet if it is practical. In a dual monitor configuration, one display is used for post editing decisions and the second for actions screens. Content is easily shifted by mouse to either screen. I am wondering if it is possible to have one display profiled for Adobe RGB (HP 'custom' monitor setting) and the second monitor profiled for sRGB (An HP default setting). Windows 7-64 seems to allow each monitor profile to be set differently, but I can experiment. As far as I can tell the difference between the two profiles will not be huge and any differences in screen content like Windows icons and screens might be tolerable. What say the experts? One monitor calibrated sRGB, the second monitor aRGB? [/QUOTE]
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AdobeRGB VS sRGB colour space
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