How do you edit fog photos?

Marcel

Happily retired
Staff member
Super Mod
I just saw that the DNG was available so I did a few things.

Here are 2 screen shots showing what can be done with the curves adjustments:

curve1.jpg


curve2.jpg


And my choice (including crop)

014.jpg
 

hark

Administrator
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Contributor

BackdoorArts

Senior Member
Coming into this really late, but up front let me clarify something - yes, you want to make sure you maximize the color space by setting your black and white limits, but 1) this needs to be appropriate to your image (it's a guideline, not a commandment) and 2) I do it using a Levels adjustment in Photoshop and not usually in ACR. This is to maximize the dynamic range of the photograph. But fog shots are the antithesis of dynamic range and are almost exclusively a squashed subset, so you've effectively undone the subtleties.

Rule #1 is serve the photograph.
 

hark

Administrator
Staff member
Super Mod
Contributor
Coming into this really late, but up front let me clarify something - yes, you want to make sure you maximize the color space by setting your black and white limits, but 1) this needs to be appropriate to your image (it's a guideline, not a commandment) and 2) I do it using a Levels adjustment in Photoshop and not usually in ACR. This is to maximize the dynamic range of the photograph. But fog shots are the antithesis of dynamic range and are almost exclusively a squashed subset, so you've effectively undone the subtleties.

Rule #1 is serve the photograph.

Thanks kindly for your explanation, Jake. It makes sense, and I understand. Guess I need to check out how to do a Levels adjustment in Photoshop. So with low contrast scenes, the adjustment is different than a normal image that has much more contrast. I get it. ;) Thanks again! :cool:
 

Carroll

Senior Member
@hark

Here is what I did to your image:

Downloaded into PS CC 2015, automagically opened in ACR.

Here are my ACR 9.3 settings:
temp - 6200
tint - +2
Exposure - +0.45
Contrast - +39
Highlights - -29
Shadows - -55
Whites - -14
Blacks - -24
Clarity - +48
Vibrance - +27
Saturation - +33

Used Lens Profile Corrections
De-Haze - -5
Default Camera Calibration

Used Spot Healing Brush Tool to remove Power Lines, bird feeder, ducks, and white spots in water.

Used Lasso tool with majorly jagged edges to select tree foliage in center of image, and increased saturation in this area very slightly, so you could not see the transition.

Used Lasso tool with reflection of same, using same method.

Reduced image size to 1200 width, and then used unsharp mask just a little.

I paid no atttention to histogram.

I did pay attention to Binky, my cat, as he navigated the keyboard as I worked. Hairs between the keys could have changed the values of PP somewhat.
 

hark

Administrator
Staff member
Super Mod
Contributor
@hark

Here is what I did to your image:

Downloaded into PS CC 2015, automagically opened in ACR.

Here are my ACR 9.3 settings:
temp - 6200
tint - +2
Exposure - +0.45
Contrast - +39
Highlights - -29
Shadows - -55
Whites - -14
Blacks - -24
Clarity - +48
Vibrance - +27
Saturation - +33

Used Lens Profile Corrections
De-Haze - -5
Default Camera Calibration

Used Spot Healing Brush Tool to remove Power Lines, bird feeder, ducks, and white spots in water.

Used Lasso tool with majorly jagged edges to select tree foliage in center of image, and increased saturation in this area very slightly, so you could not see the transition.

Used Lasso tool with reflection of same, using same method.

Reduced image size to 1200 width, and then used unsharp mask just a little.

I paid no atttention to histogram.

I did pay attention to Binky, my cat, as he navigated the keyboard as I worked. Hairs between the keys could have changed the values of PP somewhat.

Thank you for the detailed explanation, Carroll. I will try to replicate your settings so I can physically see how each one affects the image. It will definitely help me learn. Thanks again! ;)
 

Rick M

Senior Member
I don't take many fog shots, as much as I like them. It is a challenge as the adjustments that sharpen and give our work pop, eliminates the foggy "look" to a certain degree.
 

hark

Administrator
Staff member
Super Mod
Contributor
I don't take many fog shots, as much as I like them. It is a challenge as the adjustments that sharpen and give our work pop, eliminates the foggy "look" to a certain degree.

Lol! And so I am finding out! ;) I honestly had no clue going into this. :highly_amused:
 

hark

Administrator
Staff member
Super Mod
Contributor
Thank the gods I read that twice, I thought it was asking for advice to edit frog photos.

I'd hop right on that!

So were you thinking it was going to be about how to edit a frog and turn it into a prince? Lol! ;)
 

hark

Administrator
Staff member
Super Mod
Contributor
I took several shots that day, but there isn't one that I particularly like. There is just too much haze present making it difficult to separate the haze from the fog. And since the sky was a ghastly light grey, none of them is worth the time trying to fix. Note to self...no more fog photos when SO MUCH haze is present. ;)

Thanks for all the help and information. It's been a valuable learning experience! :)
 

Marcel

Happily retired
Staff member
Super Mod
One thing I forgot to mention is that when shooting fog it is sometimes better to give exposure a bit of + so the whites are really white. Otherwise the shot sometimes looks like soup.
 

hark

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Contributor
One thing I forgot to mention is that when shooting fog it is sometimes better to give exposure a bit of + so the whites are really white. Otherwise the shot sometimes looks like soup.

Yes, I realized that the hard way. :hurt: Although I know the adage when it's bright, go brighter, and when it's dark, go darker, but it's been so long since I've over exposed that I completely forgot. I underexposed simply because it's what I tend to do for landscapes and never gave it a thought. :rolleyes: Despite this time being a bust, I'm looking forward to capturing future fog shots!

Lesson learned! ;)
 
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