Shooting for a good cause. Mixed lighting

alaios

Senior Member
Hello lovely community,
tomorrow I have volunteered to shoot for a good cause. I will be shooting at a room that has lighting fixtures at the middle area and window light at the sides (big ligh sources).
I will be shooting quite many people and I will need to distribute the shots back. I will be using my nikon d750 and for flexibilty my 24-85 kit zoom lens perhaps close to wide open (if not stopped down a bit).
I also have three primes, the 35G, the 50D and the 85G although I think that the 24-85 will be better for that occassion.
I will be shooting RAW And jpeg but ideally I would like to distribute directly the jpegs from camera and not do post processing (so white balance and lighting conditions are critical). I know this is not the easiest case so I am trying to find the right compromise.
The white balance of the room is a bit tough. The room at the middle has a roof that is from wood and thus you can not really bounce flash there, that wooden area has the typical lighting setups


TS535x535
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where some orange and some green. At the side there are big windows where light is coming from outside (since Germany is rather dull I would expect shadow WB-setting type of light).


Since I will be moving and shooting around I d not think I have any chance with gels nor with bouncing light.
I am thinking for a setup where background will be underexposed at around -1 to keep the temperature light with small effect and then have a fill light at camera axis hitting directly my subjects. Perhaps I can diffuse this light slightly with a tiny softbox on camera.
Do you think that there is something I miss here or something you would approach differently?
An Image of the room at the middle where the wood at the roof is visible (window light is 3 meters to left and right but I will be going there as well)
facebook.jpg

this is not my shot :)



Regards thanks a lot for reading
Alex
 

Moab Man

Senior Member
When you have really mixed lighting, I find the Expodisc does an amazing job. I don't know if you can find it locally, but it is amazing. Even if you can't get it this time around, I would add it to your bag.

This shot is made up of a gazillion different light temperatures and the only way I get the color right is with the Expodisc, not that it couldn't be done otherwise - but it's quick, simple, and right.

23491754204_75fcda2e24_k.jpg


Previously I always fought it and got these different color casts that I would finally get tired of fighting it.
10869625_783895101646782_925118337304349132_o.jpg
 

carguy

Senior Member
Why can't you bounce the flash with a wood ceiling?
I'd still bounce a bare flash shooting that event. Is this a 'run & gun'? Do you have a small modifier/softbox for the speedlight? If not, bounce it. Throw the speedlight on the shoe, angle it up and fire away.
Set the White Balance for FLASH.


I shot this image at an event in a club, notice this was in a 'tunnel'. Joe Lopez / Detroit Imagery | Michigan Chivers: Heroes Among Us Gala
I used the Fstoppers Flash Dis < https://fstoppers.com/product/fstoppers-flash-disc-portable-light-modifier >
I'd use the 24-85mm, maybe take the others if you don't mind carrying them around with you.
 
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