Sea Eagles

dramtastic

Senior Member
The majestic sea eagle.
d7k_4968.jpg
 
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DraganDL

Senior Member
The first one is gorgeous! Never mind it's, somewhat harsh contrast - the posture is so appealing, that it rendered me breathless. It's the second one that does need a little post processing - that grayish/blueish cast could be removed (so that the white feathers become really white), and the brown patch just above the head should be blurred (maybe even "dodged", too).
 
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dramtastic

Senior Member
Points taken. Here is one with the head down a little. It's is a little hard to isolate the exposure of such a brilliant white head. Too much or too little, Hmmm.
d7k_4975.jpg
 

DraganDL

Senior Member
"hard to isolate the exposure of such a brilliant white head". Yes, now this third one suffers from shadowed legs and neck. But, I am so delighted with the first one that I will keep it in my collection of birds' pics. Thank you, dear colleague!

If you have no objections, I'd post a slightly corrected second pic...
 
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Scott Murray

Senior Member
Great shots Brian. I agree that in harsh sunlight birds with contrasting B & W can be hard to expose for. I think you have done extremely well.
 

BackdoorArts

Senior Member
Great shots Brian. I agree that in harsh sunlight birds with contrasting B & W can be hard to expose for. I think you have done extremely well.

At the risk of sounding like I'm advocating accidental overexposure ::what::, you can try pulling back on the highlights in post to recover some of the detail in the white feathers on the neck. Even in the attached jpeg there's enough information to show that the details are there to be recovered.

d7k_4968.jpg

That's the beauty of shooting RAW, there's so much more light information present in the file than what is shown at any given time - you just need to access it. "Over-exposure", particularly in difficult lighting conditions and with detailed and varying subject (like birds), is sometimes just a result of one interpretation of the photo based on the camera profile used in ACR or in producing the JPEG. If you knock the exposure down and see the details then they are there to be accessed and not lost to overexposure. Some situations are impossible to capture "in camera", so check the histogram and as long as you don't have a wall on the left or right you should be good.
 
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