Post Your Tabletop photography, pack shot and still life

Blue439

New member
Hello everyone,

The admins have been kind enough to accept my proposal to create a new category forum devoted to tabletop photography. I suggest we outline the scope of this genre on the basis of the definition of a still life:

A. one or several items

B. arranged in a composition by the photographer (as opposed to, for example, found by chance on the stall of a street vendor), and

C. lit either naturally or artificially, or both.

The items in the composition shall be inanimate, which may include cut (or dry/dead) flowers or foliage but not flowers or foliage still in the ground. Dead animals may also be included: said like that, it sounds macabre, but think about all those “post-hunt” still lifes by the Dutch masters... The composition may also comprise only objects, as opposed to natural organisms. Of course, we may revise the definition whenever we deem it appropriate to keep up with things!

Tabletop photography can be appealing in several respects. According to your inclination, it can mean sprawling compositions including many objects arranged on a large dining table, or very small ones shot with a macro lens. You can choose to photograph old objects meaningful to you and your personal history, or branch into “pack shot”, i.e., product photography of modern and sleek items. In any case, you shoot on a table, which means indoors, which means this can be done regardless of the weather and without leaving your comfortable slippers if you don’t want to. Oh, and you’re not really restricted to a table: if you want to set up your composition on the floor because it’s easier, you can do that too! And if your health is not great at the moment, this is a kind of photography you can most likely still practice and enjoy!

Tabletop photography also allows you to try your hand at shaping the light, or even creating your own: use natural light but diffuse it using sophisticated scrims... or a simple bed sheet! Use small LED lights, desk lamps, bedside lamps, cobra flashes, etc. Cut out white or black cardboard pieces and learn to bounce light off of them... and do all this in the quiet comfort of your home, without having to go anywhere! While remaining within the concept defined above (the still life), there are no limits but those of your imagination. As an added bonus, there are tons of free tutorials (some better than others) on Youtube to teach you the basics of tabletop photography.

I hope this will sound enticing to as many forum members as possible, and I look forward to beholding your photos!

Dominique
 

Blue439

New member
To get the topic started, this is a closeup shot of spools of sewing thread, which I “borrowed” (ahem :rolleyes: ) from my wife’s worktable. I liked the various shapes and colors, and the challenge here was both to light them to try and achieve a natural light look (whereas none of it is natural), and to have the threads in focus while leaving the fabric in the background slightly blurred. I chose a median aperture value of ƒ/6.3, which wasn’t very successful, as the tread on the smaller spool is not really tack-sharp.

The lighting was entirely artificial and the setup will sound outrageously complicated if I copy and paste the technical information people are required to supply for the “Strobist” group on Flickr. Therefore, I will simply upload a snapshot of that setup with some captioning, so that those of you who may be interested can see how it was done. I will of course be happy to answer any questions you guys may have.

Nikon Z7, Micro–Nikkor 60mm f/2.8 D macro lens, FTZ adapter. Gitzo GR3543XLS tripod with Arca–Swiss Cube C1 geared head.

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... and behind the scenes:

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Blue439

New member
... And here is a much more classic still life, lit with only one single light. The lens used is the old F-mount 105mm macro lens, as this was shot in 2019 and the Z-mount equivalent was not released until June 2021.

Nikon Z7, Micro-Nikkor 105mm, ƒ/2.8 G VR macro lens, FTZ adapter. Gitzo tripod, Arca-Swiss Cube C1 geared head.

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Blue439

New member
Hmmm... Did I mention that tabletop photography includes food? :D

Now guys, this is a Président by Bernachon. Bernachon is the best pâtissier in Lyon, and Lyon is the capital of gastronomy in France. Therefore, you can assume that the Président is beyond scrumptious, and that “rich and succulent” doesn’t even begin to describe this astounding chocolate cake!

This is the one I had for my birthday in 2021. And... hmm... well, I have the same one, like, every year... ;)

Nikon Z7, Nikkor Z MC 105mm, ƒ/2.8 macro lens. Gitzo tripod, Leofoto panoramic head. Composite shot made of 6 focus–stacked exposures, using the built–in function on the Nikon Z7. Stack processed with Helicon Focus, Method C.

Now, don’t hate me, and I’m doing it just this once, but for those of you who are interested, this is the technical information they require on the Strobist group on Flickr. It sounds horribly complicated but it does speak to people used to light their scenes with flash:

Strobist and technical: one Phottix Pro Indra500 monolight on a Profoto light stand in Rembrandt position to camera left, 1.5 meters from subject and 1.3 meters above it, firing at 1/8 power through a Phottix Pro 150–cm Raja parabolic softbox with double diffuser; and another Indra500 studio strobe on a Profoto tabletop light stand in lateral (slightly backlit) position to camera right, 1.5 meters from subject and at about the same height, firing at 1/8 power through an Andoer gridded snoot.
Strobes set and triggered via Phottix Pro Odin II radio controller on the Nikon Z7 hot shoe, manual mode. Sekonic L–858D light meter used to balance light sources. Gitzo GT2530 tripod with Leofoto VH–30R panoramic head. Nikon Z7 camera body, Micro–Nikkor 105mm f/2.8 VR macro lens with FTZ adapter.

Bon appétit !

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blackstar

Senior Member
To get the topic started, this is a closeup shot of spools of sewing thread, which I “borrowed” (ahem :rolleyes: ) from my wife’s worktable. I liked the various shapes and colors, and the challenge here was both to light them to try and achieve a natural light look (whereas none of it is natural), and to have the threads in focus while leaving the fabric in the background slightly blurred. I chose a median aperture value of ƒ/6.3, which wasn’t very successful, as the tread on the smaller spool is not really tack-sharp.

The lighting was entirely artificial and the setup will sound outrageously complicated if I copy and paste the technical information people are required to supply for the “Strobist” group on Flickr. Therefore, I will simply upload a snapshot of that setup with some captioning, so that those of you who may be interested can see how it was done. I will of course be happy to answer any questions you guys may have.

Nikon Z7, Micro–Nikkor 60mm f/2.8 D macro lens, FTZ adapter. Gitzo GR3543XLS tripod with Arca–Swiss Cube C1 geared head.

View attachment 408878

... and behind the scenes:

View attachment 408879
Look like the middle small spool received insufficient lighting or was covered by the shadow from big spools (viewed from my aging eyes probably?).
 

Blue439

New member
Look like the middle small spool received insufficient lighting or was covered by the shadow from big spools (viewed from my aging eyes probably?).
You are absolutely right. I’m glad you spotted that, you do have a good eye! I hoped the white card to the left would bounce back enough light, but it didn’t. I should have used either a more reflective material, like a small mirror correctly angled, or a third light to light the center spool. Better yet, I should have been less lazy and lit the whole scene from above, but that meant pulling out some heavy gear like two C-stands and deploying the large scrim to diffuse the light...

The bottom line is, if you want to do things right, you cannot be lazy, and unfortunately, in this case I was. :mad:

Low-key lighting: using gradient light to illuminate only certain parts of the subject(s)... Those are the three tilt-shift Nikkors I had at the time (March 2021). I re-sold the 24mm (the one on the left), rendered obsolete by the new 19mm, and bought the 45mm the complement the lineup.

Nikon Z7, Micro-Nikkor 105mm, ƒ/2.8 G VR macro lens, FTZ adapter. Gitzo tripod, Arca-Swiss Cube C1 geared head.

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Macrophotograph of a pair of gold and carnelian cufflinks. Composite shot made of 5 focus–stacked exposures, set manually on the lens (NOT easy! I acquired a focusing rail after that one :rolleyes:). Stack processed with Helicon Focus, Method B. Shot taken for a theme-based Flickr group. The theme was “Pairs”.

Focus stacking software has gotten better recently, but back in 2021 when this was taken, it was not quite so “automatic” and adjustments often had to be made by hand. I missed one on this photo, can you spot it? ;)

Nikon Z7, Z-mount Laowa 105mm f/2.8 2× Ultra Macro Apo lens, manual focus. Gitzo GT3543 XLS tripod with Arca–Swiss Cube C1 geared head.

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Blue439

New member
Macro is a fun part of tabletop photography. For the picture below, I again shot cufflinks (I know, lame inspiration). The theme that time was “Circles”, and so I took advantage of their shape. All those cufflinks are mine, and they have obviously be worn quite often during my professional life, which is why they do exhibit some wear and tear. That is one of the most difficult and painstaking things with that sort of photography: unless you obviously shoot an old item with patina and “a history”, the “hero product” must be as pristine and immaculate as possible, because every scrap, every grain of dust will show on the picture, and will need to be painfully cloned out in post-production. With the cufflinks I did the cleaning but chose to leave the little marks and scratches. They’re from the 1980s and are not supposed to be brand new.

This is also an (hopefully) interesting use of a macro lens (or semi-macro: Nikon calls it Micro-Nikkor although it doesn’t go beyond a 1:2 ratio) that is, at the same time, a tilt-shift lens. I wanted a certain depth of field and also some bokeh, and aimed at achieving that in one single exposure (the “old way” of doing it instead of stacking focus). I also wanted the sharp area to follow the orientation of the shirt sleeve, so I rotated the lens about 40 degrees to the left left to place the plane of focus where I wanted it, then tilted the lens almost 7 degrees to achieve the amount of depth of field I thought was needed. Because that lens, as mentioned above, can only achieve a 1:2 reproduction ratio natively, I had to use an extension tube to position the camera as close as I wanted and still be able to achieve focus. The final result was quite close to 1:1, an actual macro shot.

Nikon Z7, Micro–Nikkor 85mm f/2.8 PC–E tilt–shift lens, manual focus, FTZ adapter, Fotodiox Pro 45–mm extension tube. Gitzo GT3543 XLS tripod with Arca–Swiss Cube C1 geared head. Artificial lighting.


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As we say in French, après l'effort, le réconfort: after the effort, the comfort. After a good 2 hours of work to achieve the shot above, how about a good bite of chocolate? Milk or dark? ;)

Nikon Z7 camera body, Micro–Nikkor 85mm f/2.8 PC–E tilt–shift lens, manual focus. FTZ adapter. Gitzo GT3543 XLS tripod with Arca–Swiss Cube C1 geared head. Artificial lighting, single exposure.

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Robin W

Senior Member
Wonderful shots, you make me want to try this again, but it will have to wait until my garden is finished and I clean out my garage again, so I have a place to set up. I had bought some rails and tried to use them once and got frustrated. I was probably over thinking it. I am looking forward to seeing more of the tabletop photography before I get started up again. Thanks for starting the thread.
 

Blue439

New member
Wonderful shots, you make me want to try this again, but it will have to wait until my garden is finished and I clean out my garage again, so I have a place to set up. I had bought some rails and tried to use them once and got frustrated. I was probably over thinking it. I am looking forward to seeing more of the tabletop photography before I get started up again. Thanks for starting the thread.
Thank you very much, your message is very encouraging. I will upload more and when the time comes, I’ll be happy to help if I can and pass along any tips I may have collected over my 5-6 years or so of practice. :)
 

Robin W

Senior Member
Thank you very much, your message is very encouraging. I will upload more and when the time comes, I’ll be happy to help if I can and pass along any tips I may have collected over my 5-6 years or so of practice. :)
I might just take you up on that! :)
 

blackstar

Senior Member
...
Focus stacking software has gotten better recently, but back in 2021 when this was taken, it was not quite so “automatic” and adjustments often had to be made by hand. I missed one on this photo, can you spot it? ;)

Nikon Z7, Z-mount Laowa 105mm f/2.8 2× Ultra Macro Apo lens, manual focus. Gitzo GT3543 XLS tripod with Arca–Swiss Cube C1 geared head.

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May I say it's the front gold part of the right cufflink that shows a sign of softness (the logo and the rectangular hole)?
 

Blue439

New member
Round objects are difficult to light when they are reflective, because... well, they reflect everything that’s around them, including the lights, the camera, and the photographer himself! Glass objects are also difficult to light in a way that will give them consistency, materiality, because light will tend to go through them without giving them any shape or volume. The brighter the lighting (the more “high key”), the more challenging such objects can be.

The two photos below are of very little artistic value, that was not their purpose. Instead, I used them as exercises in lighting. The idea was to light them as brightly as possible while creating gradients that would reveal their contours, all the while without reflecting any of the shooting environment. It is the kind of exercise one can find in the book Light: Science and Magic, which I have already mentioned.

Nikon D850, Micro-Nikkor 105mm, ƒ/2.8 G VR macro lens. Gitzo tripod, Arca-Swiss Cube C1 head. Artificial lighting.

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Nikon Z7, Micro-Nikkor 105mm, ƒ/2.8 G VR macro lens, FTZ adapter. Gitzo tripod, Arca-Swiss Cube C1 head. Artificial lighting.

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Blue439

New member
Crazy lighting: the idea was to try and emulate natural light falling on the subject through shades, and so I cut out black and white cardboard pieces to create the required shadowy areas... Another challenge was to show very clearly the small and quite faint LED lights on the battery pack, and in order to do that, I had to take two exposures and composite them in Photoshop. Oh, and I meant for the Godox name to be slightly blurred, which is why I stopped the focus-stacking before I got there...

Nikon Z7, Nikkor Z 50mm, ƒ/1.8 S lens. Gitzo tripod, Arca-Swiss Cube C1 geared head. Artificial lighting, focus-stacked.

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Crazy still life! One day that I was probably quite a bit fuzzy in the head, I put together this low-key still life composition of leather-bound old books, flowers, country sausage and a limestone-stained glass of wine... :unsure:

The sausage was delicious and I got new wine glasses since then.

Nikon Z7, Nikkor Z 35mm, ƒ/1.8 S lens. Gitzo tripod, Arca-Swiss Cube C1 geared head. Artificial lighting, focus-stacked.

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Blue439

New member
Don't think you need to experiment anymore as I think you have mastered it 👏
That’s awfully kind of you to say, Peter, but I don’t deserve it, far from it! Many thanks to you anyway! :giggle:

Now, I am into sound quality almost as much as I am into image quality, and it pains me to see all the young ones today listening to their “MP3” music and thinking the sound they’re hearing in those little ear pods is good. They have no clue what they’re missing. I grew up in the world of high fidelity, the DIN 45500 standard, and witnessed the advent of digital compact discs. Ah, that first Frankie Goes to Hollywood album, Welcome to the Pleasuredome! What a revelation!

In that world, Studer, Revox, McIntosh, Teac, James B. Lansing, Elipson were household names...

Below is a photo of my Swiss-made Revox B77 Mark II reel-to-reel tape deck. I still use it, not everyday, but very regularly. :love:

Nikon D850, Micro-Nikkor 105mm, ƒ/2.8 macro lens. Gitzo tripod, Arca-Swiss Cube C1 geared head. Natural light.

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Blue439

New member
A lovely little angel for the Christmas tree. Made by my wife from (mostly) book pages! She is so much more creative than I —and much better with her hands, too! Every time I try to hammer a nail, I end up with two finger bandages, while she uses the Bosch Pro cordless power drill like a... pro! :p

Nikon Z7, Nikkor Z 50mm, ƒ/1.8 S lens. Gitzo tripod, Arca-Swiss Cube C1 geared head.

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Blue439

New member
One of my tries at traditional, old-school still life: old books, some peonies, a painting by my favorite artist (Alsatian painter Franz Schlitz), a granite head statuette from the Cambodian temple of Angkor Wat, a costume jewellery necklace, and a small, 18th century Chinese box that could, one of these days, end up as part of a composition for the “Containers”-themed monthly assignment on the Nikonites forum, if I ever manage to muster enough of my scarce creative resources... :rolleyes:

The lighting was quite complicated, with so many items, and the “chiaroscuro, artsy-fartsy à la Dutch masters” inspiration to follow. I don’t think I have a behind-the-scenes snap for this one but I have all my lighting notes and I’ll be happy to provide more detailed information if anyone is interested.

Nikon Z7, Nikkor Z 35mm, ƒ/1.8 S lens. Gitzo tripod, Arca-Swiss Cube C1 geared head, artificial lighting.

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Needa

Senior Member
Challenge Team
One of my tries at traditional, old-school still life: old books, some peonies, a painting by my favorite artist (Alsatian painter Franz Schlitz), a granite head statuette from the Cambodian temple of Angkor Wat, a costume jewellery necklace, and a small, 18th century Chinese box that could, one of these days, end up as part of a composition for the “Containers”-themed monthly assignment on the Nikonites forum, if I ever manage to muster enough of my scarce creative resources... :rolleyes:

The lighting was quite complicated, with so many items, and the “chiaroscuro, artsy-fartsy à la Dutch masters” inspiration to follow. I don’t think I have a behind-the-scenes snap for this one but I have all my lighting notes and I’ll be happy to provide more detailed information if anyone is interested.

Nikon Z7, Nikkor Z 35mm, ƒ/1.8 S lens. Gitzo tripod, Arca-Swiss Cube C1 geared head, artificial lighting.

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These less saturated images are great. There seems to be a balance the stones look great but the flowers are not overly saturated.
 
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