So… Are We At The Limit

I was unable to post these thoughts in the 'crop factor' thread before it degraded so here goes:

I have been investigating what would be the best prime for DX and came to the following conclusion: no glass is sufficient to resolve the sensor's (24Mp) detail.

Think about it; 4000 pixels over 15.6mm. That's 256 lines/mm, or 6500 lines/inch! Back in my old film days we were talking about perceptive limits of 100 lines/mm and now we are over double that!! What glass is capable of resolving to that?

Now on FX sensors, it is closer to 4000 lines/inch, so all things being equal, you will perceive more pixels... but still, it seems the glass just can't keep up.

So is there any point to more pixels on DX (or even a FX) sensor plane? I imagine there is still many areas in which sensors can be improved upon, but is more pixels one of them?

Do you think we have hit the wall?
 

Rick M

Senior Member
I thought 24 was perfect for the Fx sensor on the D600/D610. Nikon doesn't seem to be pushing anything higher on Dx so they may feel they have hit the limit or "sweet spot" for Dx.
 

RON_RIP

Senior Member
I tend to think that we are at least pushing the envelope and I do not see more pixels on a given size sensor as very useful. Perhaps the next leap forward will have to be in lens resolution. If so, that is going to be a pricey proposition. Personally, I am happy with my D7000 and Nikon prime lenses.
 
Now, Don, that's just not any fun!! ;)

WM

Well, I am an old curmudgeon after all. LOL

I am just real tired of people trying to decide if A is better than B and then the C people get their drawers in a wad. What we all should do is to grab whatever camera we have close and go take some photos.
 
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10 Gauge

Senior Member
IMO more pixels is always "better" SO MUCH AS.... The sensor & image processor technology progresses WITH (or exceeds) the pixel count, meaning that even though they have crammed more pixels on the sensor, it's sensitivity to light stays the same or even improves, and no more or even less noise is present (all advancements of the sensor / image processor combination). There's no downside to more resolution, more detail, and the ability to make super fine crops as long as you aren't presented with the problems I have listed which are common when they start pixel-cramming sensors. You could say that file size would be a down side, but that would be something you would have to decide for yourself if it would be worth it or not.

I know I wouldn't object to a 50+mp DX format body if it had the same high ISO capabilities of say the D750.
 

J-see

Senior Member
In theory a perfect lens can resolve 560lp/mm at f/2.8. In practice you won't get there.

We're not yet at the limit of lenses but it won't take that many years.
 

aroy

Senior Member
I was unable to post these thoughts in the 'crop factor' thread before it degraded so here goes:

I have been investigating what would be the best prime for DX and came to the following conclusion: no glass is sufficient to resolve the sensor's (24Mp) detail.

Think about it; 4000 pixels over 15.6mm. That's 256 lines/mm, or 6500 lines/inch! Back in my old film days we were talking about perceptive limits of 100 lines/mm and now we are over double that!! What glass is capable of resolving to that?

Now on FX sensors, it is closer to 4000 lines/inch, so all things being equal, you will perceive more pixels... but still, it seems the glass just can't keep up.

So is there any point to more pixels on DX (or even a FX) sensor plane? I imagine there is still many areas in which sensors can be improved upon, but is more pixels one of them?

Do you think we have hit the wall?

I always thought that the resolving power of a lens is for the object, that is what is in front of the lens, not behind it. That may be the reason that lens resolution tests are carried out using charts with converging lines.
 

WayneF

Senior Member
I was unable to post these thoughts in the 'crop factor' thread before it degraded so here goes:

I have been investigating what would be the best prime for DX and came to the following conclusion: no glass is sufficient to resolve the sensor's (24Mp) detail.

Think about it; 4000 pixels over 15.6mm. That's 256 lines/mm, or 6500 lines/inch! Back in my old film days we were talking about perceptive limits of 100 lines/mm and now we are over double that!! What glass is capable of resolving to that?

Now on FX sensors, it is closer to 4000 lines/inch, so all things being equal, you will perceive more pixels... but still, it seems the glass just can't keep up.

So is there any point to more pixels on DX (or even a FX) sensor plane? I imagine there is still many areas in which sensors can be improved upon, but is more pixels one of them?

Do you think we have hit the wall?


I don't think we have hit a wall. I'm not sure there is any wall. But as long as we keep saying Wow about the new sensors, we're not at a wall yet.

I assume your "perceptive limits" meant 100 line pair per mm. Resolution of film and lenses generally are in line pairs.
Black lines have white lines between them, which is a pair of two lines, both of which have to be resolved.

See this: http://cool.conservation-us.org/coo...itale/2007-04-vitale-filmgrain_resolution.pdf

Page 14 says says 35mm format lenses resolve maybe 40 to 140 lp/mm.

And it says Panatomic-X film resolves 170 lp/mm. Color film maybe half of that.

But digital and film are extremely different worlds, different rules.

Nyquist (of Nyquist sampling theorem) Proved that we have to sample AT LEAST at 2x the detail level (basically the line pair thing). But that is the most absolute minimum level of claiming to accomplish reproduction. Yet higher sampling is always better quality of reproduction.

The mistake is to imagine that pixel detail corresponds to image detail in any one for one relationship. Sampling doesn't work that way. We need lots of pixels. Of course, vast areas of our images don't approach whatever maximum we do accomplish. Depth of field sees to that, we are focused at only one distance. But the scene content also contributes to that. We do pretty good at much lower levels.

Your 256 pixels per mm number can at very best resolve 128 line pair per mm, in the most minimal way, 2x sampling is generally deemed less than acceptable quality. So more sampling pixels are always better. At least up to some undefined point that we don't have to worry about. Making this up, but perhaps 2x sampling possibly would be sufficient if we could get all the lines perfectly centered on the pixels, with the same spacing as the pixels, and very straight, not slanted to the pixels? :) But the real world is random and chaotic.

I know many are uninterested in any details, they should not read it. But to make the point about how digital sampling works:

Here is an image from a printed Smithsonian Magazine (it being government, I assume I own whatever rights to it that they had). This is a scanner, but a camera samples with the same principles.
I assume it is printed with the normal 150 halftone dots per inch (hard to count). The job is to resolve those 150 dpi dots, a little like line pairs.
EDIT: FWIW, I checked it, and it is 150 dots per inch.

Scanned at 150 dpi - it has the expected moire (aliasing, which is false detail due to insufficient sampling, according to Nyquist):

150.jpg



So here is 2x sampling, 300 dpi (very large, enlarged to match those larger images below, to show the little bump under left eye, at right of where nose was):
At regular size, it looks fairly good, better than above. Here, this is of course image detail, but it is not really an adequate reproduction of the lens detail. We see no round halftone dots. We do know where the edge and little bump is.
300 dpi scans help moire a lot, but for safety factor, I prefer to scan at 600 dpi, and then resample it smaller.

300.jpg



Let's try more, 4x sampling at 600 dpi: (enlarged to same size - starting to get a hint of the dots, but they seem square):

600.jpg



How about 8x sampling, 1200 dpi (enlarged to same size - we actually almost resolve some dots now - with several pixels across the dot to show its round shape. We did not do that before. :)

1200.jpg



Based on this criteria of 8x sampling being better, your 256 pixels per mm can resolve /8 or 32 line pairs per mm of real data. It is not at any wall yet.

Regarding digital sampling, more sampling is usually always a better quality reproduction.
I hate to say it that way, because certainly we can scan resolutions much higher than our goal needs (to copy a photo for example), but if we're going to zoom in so much to examine finest detail (more than we need), then it does show.

But certainly there is no one for one relationship between pixels and line pairs. We always need lots more pixels.
 
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WayneF

Senior Member
Thanks Bob. I actually thought a few would be interested... It is a first basic of the digital concept. Digital and film are just very different concepts. Both do have to reproduce the small lens image for enlarged viewing, but the methods are extremely different.

This was a CCD scanner, which has a lens in it, focusing the 8.5 inch glass bed onto about a 2 inch digital sensor, like the camera does, which then samples it with normal digital sampling, like the camera does. This one was a high priced consumer scanner, but all CCD scanners work alike.

Scan resolution (the sampling) depends on the goal. If trying to copy a photo print at original size, scanning at 300 dpi and printing at 300 dpi does that, as well as the size can use. More cannot help the small final size. The scanner is not limited, but the printer is. And the original photo print doesn't have greater detail in it anyway (film has much more... enlargement is the goal of film, but the human eye is the goal of a print).

Same with our cameras, IF the only goal is to view it full screen on the computer screen, or print a 4x6 print (both about 2 megapixels), then 24 megapixels is overkill (for that small purpose). Again, it is the goal and the display that is limited.

But if we want to reproduce all the detail the lens can create, then we need a lot of pixels. Significantly more than the goal might indicate to some. 10Gauge got it right just before me.
 

WayneF

Senior Member
FWIW, I have reworked this same content, and put it at

Have we hit a megapixel resolution limit?

The false "reached a maximum limit" notion is surely caused along the lines of incorrectly imagining a 200 pixels per mm sensor density matches a 100 line pair per mm lens resolution. But digital sampling simply does not work that way. Instead, those numbers only imply that we have finally reached the MINIMUM limit of sampling resolution.

I finally realized I knew this obvious argument (that we have only just begun on our journey toward any so-called resolution limit, if one in fact exists), this way.

Cameras have (until a few of them about now) always required anti-aliasing filters to prevent moire.

The Nyquist sampling theorem proved (nearly 90 years ago) that digital sampling at least 2x greater than the signal detail is REQUIRED to prevent aliasing, which is false detail created by insufficient sampling. Which is seen as moire.

So by definition, our camera sensors here to now obviously had not reached the 2x MINIMUM limit. A few of them are just now starting to reach this MINIMUM and so can be sold without the AA filter (but just barely, moire is still sometimes seen). But this does NOT speak of any MAXIMUM.

Hence, Q.E.D, we certainly are not near any maximum resolution limit. I doubt there is any concept of a maximum limit. It is a case when more is better. 100 megapixels is surely coming, and more. But yes, it may be more than our smaller purposes need.



It is of course very clearly seen that oversampling (more than the 2x Nyquist Minimum requirement) does improve reproduction resolution. It is also true that oversampling large, and then drastically resampling smaller is also a noise reduction technique. However, extremes probably will be excessive size for our smaller goals of showing images on the video monitor, or printing them 4x6 inches (both goals are around 2 megapixels maximum).
 
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Whiskeyman

Senior Member
Thanks, Wayne. I've read both the earlier post here and the article linked above and it is really good stuff. As a mechanical engineer, I follow a bit of it, but I feel a bit sheepish that I don't understand at a higher level. :(
 

WayneF

Senior Member
Thanks, but don't feel sheepish about digital sampling concepts. Sampling is its own subject, different than other experiences. Not so complex like semiconductors, but just different like that. You might remember the confusion when consumer scanners first became affordable in the late 90s... The first digital experience for everyone. You should have heard the wild tales then about "what is dpi?" :) It has calmed down now, and actually seems about forgotten, our gear is more automatic, a few basics have prevailed, and today's crowd doesn't seem very curious, seen too many things maybe? :)
 

Whiskeyman

Senior Member
... and today's crowd doesn't seem very curious, seen too many things maybe? :)

My guess is that they've seen it so much, and some have seen it all of their lives, that they just take it for granted.

As long as "George" is around, everything will be ok.

WM
 
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